000			03602cam a2200505 i 4500
001			22178009
003			AE-ShPAA
005			20250127080609.0
008			210816s2022 enka b 001 0 eng
010			_a 2021030494
015			_aGBC1G9618 _2bnb
016	7		_a020356251 _2Uk
020			_a9780367748920 _q(hardcover)
020			_a0367748924
020			_a9780367748883 _q(softcover)
020			_a0367748886
020			_z9781003160076 _q(ebook)
020			_z9781000488517 _qelectronic publication
020			_z9781000488470 _qelectronic book
035			_a(OCoLC)on1276787525
040			_aDLC _beng _erda _cDLC _dOCLCF _dYOM _dOSZ _dCDX _dNYP _dYDX _dTXM _dUKMGB _dOKX _dOCL _dGZM _dDLC
042			_apcc
050	0	0	_aPN1661 _b.M25 2022
100	1		_aMalone, Toby, _eauthor. _913867
245	1	0	_aCutting plays for performance : _ba practical and accessible guide / _cToby Malone and Aili Huber.
264		1	_aLondon ; _aNew York : _bRoutledge, Taylor& Francis Group, _c2022.
300			_axii, 148 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aThe text is a lie: textual history and why it matters -- Start here: the three questions -- The cutter's toolkit part one: materials -- The cutter's toolkit part two: strategies and considerations -- Cut to the quick: character-specific cuts -- Don't cut that! The mechanics of cuts -- Cut to the moment: production-specific cuts -- Scissors, paste, and negotiations: communicating cuts -- Appendix 1: Legal concerns ; Appendix 2: Cut activities ; Appendix 3: Further reading.
520			_a"Cutting Plays for Performance offers a practical guide for cutting a wide variety of classical and modern plays. This essential text offers insight into the various reasons for cutting, methods to serve different purposes (time, audience, story), and suggests ways of communicating cuts to a production team. Dealing with every aspect of the editing process, it covers structural issues, such as plot beats, rhetorical concepts, and legal considerations, why and when to cut, how to cut with a particular goal in mind such as time constraints, audience and storytelling, and ways of communicating cuts to a production team. A set of practical worksheets to assist with the planning and execution of cuts, as well as step-by-step examples of the process from beginning to end in particular plays help to round out the full range of skills and techniques that are required when approaching this key theatre-making task. This is the first systematic guide for those who need to cut play texts. Directors, dramaturgs, and teachers at every level from students to seasoned professionals will find this an indispensable tool throughout their careers"-- _cProvided by publisher.
650		0	_aDramaturges.
650		0	_aDrama _xEditing.
650		0	_aTheater _xProduction and direction.
650		7	_aTheater _xProduction and direction. _2fast _0(OCoLC)fst01149278
650		7	_aDramaturges. _2fast _0(OCoLC)fst00897662
650		7	_aDrama _xEditing. _2fast _0(OCoLC)fst00897482
700	1		_aHuber, Aili, _eauthor. _913874
776	0	8	_iOnline version: _aMalone, Toby. _tCutting plays for performance _dAbingdon, Oxon ; New York, NY : Routledge, 2022 _z9781003160076 _w(DLC) 2021030495
906			_a7 _bcbc _cpccadap _d2 _eepcn _f20 _gy-gencatlg
942			_2lcc _cBK
999			_c7439 _d7439