000 | 04219cam a2200625 i 4500 | ||
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003 | AE-ShPAA | ||
005 | 20250121105000.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 221003t20232023nyua ob 000 0 eng d | ||
020 |
_a1000800601 _qelectronic book |
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020 |
_a1000800679 _qelectronic book |
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020 |
_a1003112560 _qelectronic book |
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020 |
_a9781000800609 _q(electronic bk.) |
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020 |
_a9781000800678 _qelectronic book |
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020 |
_a9781003112563 _qelectronic book |
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020 | _z0367632373 | ||
020 |
_z9780367632373 _qpaperback |
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020 |
_z9780367632380 _qhardcover |
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024 | 7 |
_a10.4324/9781003112563 _2doi |
|
035 | _a(NhCcYBP)00c292f4d1db42d1b970d23e0c2eade59781003112563 | ||
037 |
_a076CC844-C37F-4945-9322-4FD7AAA48733 _bOverDrive, Inc. _nhttp://www.overdrive.com |
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037 |
_a9781003112563 _bTaylor & Francis |
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040 |
_aDLC _beng _erda _cDLC _dOCLCF _dTYFRS _dUKMGB _dTYFRS _dYDX _dN$T _dOCLCQ _dTEFOD _dDLC |
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042 | _apcc | ||
043 | _an-us--- | ||
050 | 0 | 4 |
_aPS591.D4 _bP53 2023 |
245 | 0 | 0 |
_aPlays of our own : _ban anthology of scripts by deaf and hard-of-hearing writers / _cWilly Conley. |
246 | 3 | 0 | _aAnthology of scripts by deaf and hard-of-hearing writers |
264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2023. |
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264 | 4 | _c�2023 | |
300 |
_a1 online resource (xiii, 438 pages) : _billustrations. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aRoutledge series in equity, diversity, and inclusion in theatre and performance | |
504 | _aIncludes bibliographical references. | ||
506 | _aAccess restricted by licensing agreement. | ||
520 |
_a"Plays of Our Own is the first anthology of its kind containing an eclectic range of plays by Deaf and hard-of-hearing writers. These writers have made major, positive contributions to world drama or Deaf theatre arts. Their topics range from those completely unrelated to deafness to those with strong deaf-related themes such as: a dreamy, headstrong girl surviving a male-dominated world in Depression-era Ireland; a famous Spanish artist losing his hearing while creating his most controversial art; a Deaf African-American woman dealing with AIDS in her family; and a deaf peddler ridiculed and rejected by his own kind for selling ABC fingerspelling cards. The plays are varied in style - a Kabuki western, an ensemble-created variety show, a visual-gestural play with no spoken nor signed language, a cartoon tragicomedy, historical and domestic dramas, and a situation comedy. This volume contains the well-known Deaf Theatre classics: Tales from a Clubroom, Sign Me Alice, My Third Eye, and A Play of Our Own. At long last, directors, producers, deaf and hearing students, professors, and researchers will be able to pick up a book of "Deaf plays" for production consideration, Deaf culture or multicultural analysis, or the simple pleasure of reading"-- _cProvided by publisher. |
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545 | 0 | _aWilly Conley is a retired professor/chairperson of Theatre and Dance at Gallaudet University in Washington, D.C. He is an award-winning playwright who has been widely published and produced. His recent book was Visual-Gestural Communication: A Workbook in Nonverbal Expression and Reception (Routledge, 2019). | |
588 | _aDescription based on online resource; title from digital title page (viewed on February 14, 2023). | ||
590 | _aAccess is available to the Yale community. | ||
650 | 0 |
_aAmerican drama _y21st century. |
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650 | 0 |
_aDeaf authors. _913299 |
|
650 | 0 |
_aDeaf people's writings, American. _922537 |
|
700 | 1 |
_aConley, Willy, _eeditor. _913300 |
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730 | 0 |
_aTaylor & Francis. _gEBA 2024-2025. _921144 |
|
776 | 0 | 8 |
_iPrint version: _tPlays of our own _dNew York : Routledge, 2022 _z9780367632380 _w(DLC) 2022035290 |
830 | 0 |
_aRoutledge series in equity, diversity, and inclusion in theatre and performance. _922538 |
|
856 | 4 | 0 |
_uhttps://yale.idm.oclc.org/login?URL=https://www.taylorfrancis.com/books/9781003112563 _yOnline book |
942 |
_2lcc _cBK |
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946 | _aDO NOT EDIT. DO NOT EXPORT. | ||
999 |
_c7435 _d7435 |