000			03346cam a2200385 i 4500
001			21947438
005			20250109140756.0
006			m |o d |
007			cr_|||||||||||
008			210221s2022 enk ob 001 0 eng
010			_a 2021001901
020			_a9781003080657 _q(ebook)
020			_z9780367531423 _q(hardback)
020			_z9780367531430 _q(paperback)
040			_cAE-ShPAA
042			_apcc
050	0	0	_aTR850
082	0	0	_a777 _223
100	1		_aRobotham, Thomas, _eauthor. _913644
245	1	0	_aCinematic storytelling : _ba comprehensive guide for directors and cinematographers / _cThomas Robotham.
264		1	_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2022.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aSIBF2023
501			_aP.B
504			_aIncludes bibliographical references and index.
505	0		_aWhat is cinematic storytelling? -- Foundations in the script -- Coverage defines attention -- Cinematic thinking -- Patterns for character actions -- Patterns for character looks -- Patterns for dialogue - structure -- Patterns for dialogue - examples -- Patterns for settings -- Patterns for objects -- Patterns for evocative imagery -- Patterns and movement -- Scene shaping and interconnections -- Developing the coverage plan.
520			_a"This book presents a new, story-based approach to cinematic coverage and storytelling in film and video. It breaks from the conventional idea that shots are the fundamental unit of filmmaking, instead exploring the specifics of determining coverage. Keyframes in patterns are introduced, delivering scripted material in a context-rich presentation that supports the storytelling. All the analysis, interpretation, and creative decision making is done first, with shots derived as the very last step. Scripted material is divided into six categories with associated patterns. Like cinematic building blocks, these can freely stack up and interconnect, supporting creativity and avoiding rigid formulas. This approach enables filmmakers to tap into the film "language" audiences already understand, and put it to practical use, helping the audience to feel the storytelling deeply. Dozens of film examples are presented, plus conceptual and camera diagrams. Student exercises are provided to reinforce concepts. Emphasis is placed on supporting performance and story meaning, through a cinematic context. With all the concepts and decision-making options described and shown in examples, a scripted scene is analysed and developed through an eight-step process, illustrated with storyboard, camera diagrams, and ultimately shot list descriptions. This new framework for cinematic storytelling is appropriate for short films, feature films, and long-form, multi-episode stories and is the ideal text for aspiring filmmakers, cinematographers and directors"-- _cProvided by publisher.
588			_aDescription based on print version record and CIP data provided by publisher.
650		0	_aCinematography.
650		0	_aMotion pictures _xProduction and direction.
776	0	8	_iPrint version: _aRobotham, Thomas. _tCinematic storytelling _dAbingdon, Oxon ; New York, NY : Routledge, 2022. _z9780367531423 _w(DLC) 2021001900
999			_c7394 _d7394