000 04073cam a2200385 i 4500
001 20885991
005 20250109140755.0
008 190302s2019 enk b 001 0 eng c
010 _a 2019002254
020 _a9781138352131
_q(hardback :
_qalk. paper)
020 _a9781138352148
_q(paperback :
_qalk. paper)
020 _z9780429434877
_q(ebook)
020 _z9780429786297
_qebook
040 _cAE-ShPAA
042 _apcc
050 0 0 _aPN2061
_b.I53 2019
082 0 0 _a792.02/8
_223
245 0 0 _aIntercultural acting and performer training /
_cedited by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur.
264 1 _aLondon ;
_aNew York :
_bRoutledge, Taylor & Francis Group,
_c2019.
300 _aviii, 286 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aSIBF2023
501 _aP.B
520 _a"Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide. This unique book invites performers and teachers of acting and performance to explore, describe, and interrogate the complexities of intercultural acting and actor/performer training taking place in our twenty-first century, globalized world. As global contexts become multi-, inter-, and intra-cultural, assumptions about what acting 'is' and what actor/performer training should be continue to be shaped by conventional modes, models, techniques, and structures.This book examines how our understanding of interculturalism changes when we shift our focus from the obvious and highly visible aspects of production to the micro level of training grounds, studios, and rehearsal rooms, where new forms of hybrid performance are emerging. Ideal for students, scholars, and practitioners, Intercultural Acting and Performer Training offers a series of accessible and highly readable essays which reflect on acting and training processes through the lens offered by 'new' forms of intercultural thought and practice"--
_cProvided by publisher.
504 _aIncludes bibliographical references and index.
505 0 _aRe-framing intercultural acting and actor training in the 21st century / Phillip Zarrilli -- Recalibrating intercultural acting/training today / Anuradha Kapur -- The "hot crucible" of intercultural actor training : the Singaporean context / T. Sasitharan -- Actor training at the Intercultural Theatre Institute of Singapore / Giorgia Ciampi Tsolaki -- From the flower to madness : the ontology of the actor in the work of Suzukitadashi / Glenn Odom -- Dancing Hamlet in a world of frogs : butoh and the actor's inner landscape / Tanya Calamoneri -- Stepping out of the frame : contemporary jingju actor training in Taiwan / Jasmine Yu-Hsing Chen -- Re-considering intercultural actor training in South Africa today : "borrowing on our own terms" / David Peimer -- The actor's process of negotiating difference and particularity in intercultural theatre practice / Sunhee Kim and Jeungsook Yoo -- The role of "presence" in training actors' voices / Tara McAllister-Viel -- Training a performer's voices / Electa Behrens -- Grasping the bird's tail : inspirations and starting points / Christel Weiler -- Embodying imagination : butoh and performer training / Frances Barbe -- Arifin and putu : teater modern acting in new order Indonesia / Kathy Foley -- Any traces of Stanislavsky : theatre, politics and survival in postcolonial and dictatorial Indonesia / Marco Add -- Bali in Brazil / Carmencita Palermo -- Traditional opera in a "modern" society : institutional change in Taiwanese xiqu education / Tai Hsin-Hsin and Josh Stenberg.
650 0 _aActing.
650 0 _aActing
_xStudy and teaching.
650 0 _aIntercultural communication.
_912612
700 1 _aZarrilli, Phillip B.,
_d1947-2020,
_eeditor.
_912495
700 1 _aSasitharan, T.,
_eeditor.
_913393
700 1 _aKapur, Anuradha,
_eeditor.
_913394
999 _c7352
_d7352