000			02719cam a2200373 i 4500
001			22634594
005			20250109140754.0
008			220606s2023 enka b 001 0 eng
010			_a 2022019582
020			_a9780367560768 _q(hardback)
020			_a9780367560744 _q(paperback)
020			_z9781003096337 _q(ebook)
040			_cAE-ShPAA
042			_apcc
050	0	0	_aPN2053 _b.R26 2023
082	0	0	_a792.02/33 _223/eng/202206-09
100	1		_aRadosavljević, Duška, _eauthor. _913799
245	1	0	_aAural/oral dramaturgies : _btheatre in the digital age / _cDuška Radosavljević.
264		1	_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2023.
300			_axvi, 224 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aSIBF2023
501			_aP.B
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction(s) : the difficult second album -- Post-verbatim -- Amplified storytelling -- Gig Theatre -- Conclusion(s) : aural/oral dramaturgies in the digital age.
520			_a"This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives a second alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations and presentations from artists and academics. This is a key text for scholars, students and practitioners of contemporary performance, and anyone working with sound and aurality in today's performance environment"-- _cProvided by publisher.
650		0	_aTheater _xSound effects. _913800
650		0	_aTheater _xProduction and direction.
650		0	_aDrama _xTechnique.
650		0	_aTechnology and the arts. _913801
776	0	8	_iOnline version: _aRadosavljević, Duška. _tAural/oral dramaturgies _dAbingdon, Oxon ; New York, NY : Routledge, 2023. _z9781003096337 _w(DLC) 2022019583
999			_c7343 _d7343