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_a9780429274015 _bTaylor & Francis |
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_aML3830 _bR493 2021 |
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_a781.1/1 _223 |
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_aReybrouck, Mark, _eauthor. _93826 |
|
| 245 | 1 | 0 |
_aMusical sense-making : _benactment, experience and computation / _cMark Reybrouck. |
| 250 | _aFirst edition. | ||
| 264 | 1 |
_aLondon : _bRoutledge, Taylor & Francis Group, _c2021. |
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| 300 |
_a1 online resource (xviii, 218 pages) : _billustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aSEMPRE studies in the psychology of music | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aChapter 1: IntroductionChapter 2: Musical Sense-Making: Enaction, Experience, and ComputationChapter 3: Sense-Making and the Enactive ApproachChapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential ApproachChapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied ClaimsChapter 6: From Interaction to Sense-MakingChapter 7: Music and the Extended Computational ApproachChapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology | |
| 520 | _aMusical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approach that brings together the richness of sensory experience and principles of cognitive economy. Starting from the major distinction between in-time and outside-of-time processing of the sounds, this volume provides a conceptual and operational framework for dealing with sounds in a real-time listening situation, relying heavily on the theoretical groundings of ecology, cybernetics, and systems theory, and stressing the role of epistemic interactions with the sounds. These interactions are considered from different perspectives, bringing together insights from previous theoretical groundings and more recent empirical research. The author's findings are framed within the context of the broader field of enactive and embodied cognition, recent action and perception studies, and the emerging field of neurophenomenology and dynamical systems theory. This volume will particularly appeal to scholars and researchers interested in the intersection between music, philosophy, and/or psychology. | ||
| 545 | 0 | _aMark Reybrouck is emeritus professor at the University of Leuven (KU Leuven) and guest professor at Ghent University, Belgium. | |
| 588 | 0 | _aVendor-supplied metadata. | |
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics. _92099 |
|
| 650 | 0 |
_aMusic _xPsychological aspects. _91133 |
|
| 650 | 0 |
_aMusical perception. _93827 |
|
| 650 | 6 |
_aMusique _xAspect psychologique. _91135 |
|
| 650 | 6 |
_aMusique _xPhilosophie et esthétique. _93669 |
|
| 650 | 6 |
_aPerception de la musique. _93828 |
|
| 650 | 7 |
_aMUSIC _xGeneral. _2bisacsh _93829 |
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| 650 | 7 |
_aMusic _xPhilosophy and aesthetics. _2fast _0(OCoLC)fst01030408 _92099 |
|
| 650 | 7 |
_aMusic _xPsychological aspects. _2fast _0(OCoLC)fst01030418 _91133 |
|
| 650 | 7 |
_aMusical perception. _2fast _0(OCoLC)fst01030788 _93827 |
|
| 776 | 0 | 8 |
_iEbook version _z9781000260878 |
| 776 | 0 | 8 |
_iPrint version: _aReybrouck, Mark. _tMusical sense-making. _bFirst edition. _dLondon : Routledge, Taylor & Francis Group, 2021 _z036722240X _z9780367222406 |
| 830 | 0 |
_aSEMPRE studies in the psychology of music. _93830 |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/e/9780429274015 |
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_3VLeBooks _uhttps://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781000260878 |
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