000 | 03306cam a22004818i 4500 | ||
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001 | 23390609 | ||
003 | AE-ShPAA | ||
005 | 20250109140753.0 | ||
006 | m |o d | | ||
007 | cr_||||||||||| | ||
008 | 231010s2024 nyu o 001 0 eng | ||
010 | _a 2023030721 | ||
020 |
_a9781003289906 _q(ebook) |
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020 |
_z9781032267913 _q(hardback) |
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020 |
_z9781032267852 _q(paperback) |
||
040 | _cAE-ShPAA | ||
042 | _apcc | ||
043 | _ae-uk--- | ||
050 | 0 | 0 |
_aPN2575.S56 _bM954 2024 |
082 | 0 | 0 |
_a700.1/050941 _223/eng/20231108 |
100 | 1 |
_aMyles, Robert _c(Actor), _eauthor. _913704 |
|
245 | 1 | 0 |
_aInnovation & digital theatremaking : _brethinking theatre with 'The Show Must Go Online' / _cRobert Myles, Valerie Clayman Pye. |
263 | _a2312 | ||
264 | 1 |
_aNew York, NY : _bRoutledge, _c[2024]. |
|
300 |
_a208 Page. ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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500 | _aSIBF2023 | ||
500 | _aIncludes index. | ||
501 | _aP.B | ||
505 | 0 | _aInnovation & theatremaking -- Why Shakespeare? -- Creating a community -- Producing rapidly, producing regularly -- Directing for digital -- The future. | |
520 |
_a"Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and wield whatever resources are available to create new work in new ways. In 2020, the Covid-19 Pandemic had a colossal impact on theatre across the world. At a time when even the wealthiest and best-supported theatre companies in the world ceased all operations and shuttered their stages, the theatre company The Show Must Go Online (TSMGO) forged their way into a new frontier: the highly accessible digital landscape of online performance. In this book, TSMGO co-creator Robert Myles and Valerie Clayman Pye explore the success of TSMGO from a practical standpoint, offering insights and strategies that can help theatre makers at every level respond proactively to the future of Theatre in the digital era. Each chapter addresses a different aspect of the creative process and concludes with take-homes so readers can learn how to innovate rapidly, to undertake research and development in order to create their own models, and to cultivate their own theatrical communities. Written for theatremakers, directors, producers, and creatives of all levels of experience, this book will help readers to think critically and creatively about theatre, and theatre pedagogues to understand how to train their students for the theatre of the future"-- _cProvided by publisher. |
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588 | _aDescription based on print version record and CIP data provided by publisher; resource not viewed. | ||
600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _vAdaptations |
610 | 2 | 0 |
_aThe Show Must Go Online. _913705 |
650 | 0 |
_aTheater _zGreat Britain _xHistory _y21st century. |
|
650 | 0 |
_aTheater _xTechnological innovations. _913706 |
|
650 | 0 |
_aTechnology and the arts. _913707 |
|
650 | 0 |
_aCOVID-19 (Disease) and the arts. _913708 |
|
700 | 1 |
_aPye, Valerie Clayman, _eauthor. _913709 |
|
776 | 0 | 8 |
_iPrint version: _aMyles, Robert _tInnovation & digital theatremaking _dNew York, NY : Routledge, [2024] _z9781032267913 _w(DLC) 2023030720 |
999 |
_c7274 _d7274 |