000			03923cam a2200421 i 4500
001			22858487
005			20250109140749.0
006			m |o d |
007			cr_|||||||||||
008			220902s2022 enk ob 001 0 eng
010			_a 2022038874
020			_a9781000815351 _q(epub)
020			_a9781003218340 _q(ebook)
020			_z9781032110851 _q(hardback)
020			_z9781032110882 _q(paperback)
040			_cAE-ShPAA
042			_apcc
050	0	0	_aML457
082	0	0	_a781.1/7 _223/eng/20221108
245	0	0	_aMusical topics and musical performance / _cedited by Julian Hellaby.
250			_a[1.]
264		1	_aAbingdon, Oxon ; _aNew York : _bRoutledge, _c2022.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aRoutledge research in music
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction / Julian Hellaby -- Topics and Music Performance : Some Reflections and a Proposal for a Theory / Eero Tarasti -- "Rhetorical" Versus "Organicist" Performances : A Pragmatic Approach / Joan Grimalt -- 'es brennt mein Eingeweide' : Agitato in Settings of Nur wer die Sehnsucht kennt / William Dougherty -- Expanding the Parameters of Historically-Informed Performance : Topics in Nineteenth-Century Miniatures for Stringed Instruments / George Kennaway -- Piano Schools, Topics and Liszt's Sonata in B Minor / Daniela Tsekova-Zapponi -- Narrative Analysis, the Sonata Cycle and Implications for Performance : A Reading of Brahms's Piano Sonata No. 2 in F-sharp Minor / Janice Dickensheets -- From Performer to Conjuror : Topical Performance in the Piano Works of Scriabin / Darren Leaper and Cecilia Xi -- The Topic of the Gato in the Early Works of Alberto Ginastera and the Disambiguation of Pequeña Danza / Melanie Plesch -- Topics and Performance in Péter Eötvös's Violin Concerto Seven (2007) / Márta Grabócz -- Romantic Performance and Gestural Topic / Lina Navickaitė-Martinelli.
520			_a"The principal purpose of topics in musicology has been to identify meaning-bearing units within a composition that would have been understood by contemporary audiences and therefore also to later receivers, albeit in a different context and with a need for historically-aware listening. Since Leonard Ratner (1980) introduced the idea of topics, his relatively simple ideas have been expanded and developed by a number of distinguished authors. Topic theory has now become a well-established branch of musicology, often embracing semiotics, but its relationship to performance has received scant attention. Musical Topics and Musical Performance thus focuses on the interface of theory and practice, investigating how an appreciation of topical presence in a work may prompt interpretative thoughts for a potential performer as well as how performers have responded to such a presence in practice. The chapters focus on music from the nineteenth, twentieth and twenty-first centuries with case studies drawn from composers as diverse as Beethoven, Scriabin and Pťer Et̲vs̲. Using both scores and recordings, the book presents a variety of original and innovative perspectives on the subject from a range of distinguished authors, and addresses a neglected area of musicology and musical performance"-- _cProvided by publisher.
588			_aDescription based on print version record and CIP data provided by publisher.
650		0	_aTopic theory (Music) _922474
650		0	_aMusic _xPerformance. _93904
650		0	_aPerformance practice (Music) _922475
650		0	_aHistorically informed performance (Music) _922476
700	1		_aHellaby, Julian, _d1956- _eeditor. _922477
776	0	8	_iPrint version: _tMusical topics and musical performance _b[1.] _dAbingdon, Oxon ; New York : Routledge, 2022 _z9781032110851 _w(DLC) 2022038873
999			_c7170 _d7170