000			02125cam a2200241 a 4500
005			20250109140639.0
008			180613s2019 deua b 001 0 eng d
020			_a9781622737055
050	1	4	_aPN1590.A9 _bD563 2019
100	1		_aDinesh, Nandita. _921670
245	1	0	_aMemos from a theatre lab : _bimmersive theatre & time / _cNandita Dinesh (United World College, Montezuma, New Mexico, USA).
246	3		_aMemos from a theater lab
260			_aWilmington, Delaware : _bVernon Press, _c2018.
300			_avi, 189 p. : _bill. ; _c24 cm.
490	1		_aVernon series in performing arts
501			_aK_B
504			_aIncludes bibliographical references (pages 187-189) and index.
505	0		_aSetting the stage -- The production design -- Scene one, scene two, scene three -- Scene four, scene five -- Scene six, scene seven -- Curtain call.
520			_aDrawing from Dinesh's findings in Memos from a Theatre Lab: Exploring What Immersive Theatre "Does" and Memos from a Theatre Lab: Spaces, Relationships, & Immersive Theatre, this practice-based-research project, the third in a series of Immersive Theatre experiments in Dinesh's theatre laboratory, considers the impact of duration when using immersive theatrical aesthetics toward educational and/or socio-political objectives. Dinesh frames the third experiment in her New Mexican theatre laboratory by placing its data and analyses in conversation with Information for/from Outsiders: Chronicles from Kashmir: a twenty-four hour long immersive, theatrical experience that Dinesh has been developing with Kashmiri theatre artists since 2013. In doing so, Dinesh seeks to create 'conceptual bridges' between practice and theory; between her experiments in New Mexico and the work that she does in Kashmir; between the generation of frameworks to develop Dinesh's own repertoire as a practitioner-researcher, and the creation of shareable strategies that might be used by other Immersive Theatre scholars, artists, and students.
650		0	_aPerforming arts _xAudiences. _93893
650		0	_aParticipatory theater.
830		0	_aSeries in performing arts. _921671
999			_c6918 _d6918