| 000 | 01391cam a2200193 a 4500 | ||
|---|---|---|---|
| 005 | 20250109140635.0 | ||
| 008 | 180424s2019 enka b 001 0 eng d | ||
| 020 | _a9780367586645 | ||
| 050 | 1 | 4 |
_aML2054 _b.S37 2019 |
| 100 | 1 |
_aSevern, John R. _921545 |
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| 245 | 1 | 0 |
_aShakespeare as jukebox musical / _cJohn R Severn. |
| 260 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2019. |
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| 300 |
_aviii, 221 p. : _bill. ; _c25 cm. |
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| 501 | _aK_B | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction : Shakespeare as jukebox musical -- Section 1, Historical forebears. Shakespeare as eighteenth-century ballad opera ; Shakespeare as nineteenth-century musical spectacular and burlesque -- Section 2, Reception and structure. Song placement and the carnivalesque : Barrie Kosky's King Lear and the Troubadour Theater Company ; Layered allusions, genre and medium : the Scottish Falsetto Sock Puppet Theatre's Romeo & Juliet -- Section 3, Modes of reception. The Shakespearean jukebox musical as interrogative text : Kenneth Branagh's Love's labour's lost -- Section 4, Engaging with Twelfth night's unstable identities. Play on! and its ghosts ; All shook up and the unannounced adaptation -- Conclusion. | |
| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xAdaptations _xHistory and criticism. _921546 |
| 650 | 0 |
_aJukebox musicals _xHistory and criticism. _913618 |
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| 999 |
_c6874 _d6874 |
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