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001			17425393
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005			20241120092143.0
008			241003t20232023cauac 001 0 eng d
020			_a9798218058951 _q(pbk.)
035			_a(OCoLC)on1390097506
035			_a17425393
040			_aTET _beng _erda _cTET _dOCLCO _dOCLCQ _dCtY
050		4	_aPN2071.M6 _bR63 2023
082	0	4	_a792/.028
100	1		_aRodrigue, Jean-Louis, _d1951, _eauthor. _0http://id.loc.gov/authorities/names/no2020053441 _921167
245	1	0	_aBack to the body : _binfusing physical life into characters in theatre and film / _cJean-Louis Rodrigue, Scott Weintraub ; [foreword by Larry Moss].
264		1	_a[Los Angeles, Calif.] : _bAlexander Techworks, _c[2023]
264		4	_c�2023
300			_axviii, 254 pages : _billustrations, portraits ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	2		_aPart I. The Alexander Technique And The Actor -- Part II. Wholeness : Expanding Awareness Of The Self -- Part III. Approaching The Script Through The Character -- Part IV. Integrating Costumes, Props, And Sets With Your Vision Of The Character -- Conclusion: Back To The Body Applied : The Power Of The Dog -- Appendix A: The Future Is Here : New Technologies -- Appendix B: Full And Partial Warmups -- Appendix C: Excerpts From Interviews.
520			_a"Back to the Body: Infusing Physical Life into Characters in Theatre and Film guides you to experience and use your body and its energy as a basic point of departure for performance and expression. You will learn to apply your entire self in acting with your voice, body, mind, and emotion. This integrated training is designed to combine all these elements of yourself with your material, the environment, and other actors through explorations and hands-on work, which you may do on your own and with others. You will discover how to best fill the space, serve the story, and create a unique, honest, and riveting character. When you implement the practices in Back to the Body, your work will gain an enhanced level of performance and depth. This book explores how actors can use their bodies, in concert with their voices and their emotions, in a range of roles and characters in both theatre and film. This way of working is not an abstraction, because our bodies always exist in relation to our emotions and environment. Every story is told primarily through the use and expression of the actor's body. Close attention to physicality is essential to extraordinary performance, telling the story, and dealing with a character's conflicts in the most human way. The more the actor's body relates to the story, the more the audience is able to connect to the play or the film, because overcoming conflicts is a universal and inevitable human necessity"--Amazon.com.
650		0	_aMovement (Acting) _0http://id.loc.gov/authorities/subjects/sh85088015
650		7	_aMovement (Acting) _2fast _0(OCoLC)fst01028489
700	1		_aWeintraub, Scott, _d1979- _eauthor. _0http://id.loc.gov/authorities/names/n2014048190 _921168
700	1		_aMoss, Larry, _d1943- _ewriter of foreword. _0http://id.loc.gov/authorities/names/n2004044321 _920891
942			_2lcc _cBK
999			_c6743 _d6743