000 | 03560cam a2200433 i 4500 | ||
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001 | 1375092489 | ||
008 | 230116t20232023gw a b 000 0 eng d | ||
040 |
_aU3W _beng _erda _cU3W _dMYA _dOCLCF _dOCLCO _dOCLCQ _dOCLCL _dRBN |
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020 |
_a9783959053853 _q(paperback) |
||
020 |
_a3959053851 _q(paperback) |
||
043 | _ae-uk--- | ||
050 | 4 |
_aPN2595.13.E97 _bT4 2023 |
|
072 | 7 |
_aPER _2ukslc |
|
082 | 0 | 4 |
_a792.09 _223 |
245 | 0 | 0 |
_aThings that go through your mind when falling : _bthe work of Forced Entertainment / _cedited by Adrian Heathfield. |
250 | _aFirst edition. | ||
264 | 1 |
_aLeipzig, Germany : _bSpector Books, _c[2023] |
|
264 | 4 | _c©2023 | |
300 |
_a383 pages : _billustrations (colour) ; _c29 cm |
||
336 |
_atext _btxt _2rdacontent |
||
336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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501 | _aP.B | ||
504 | _aIncludes bibliographical references (pages 330-332). | ||
505 | 0 | 0 |
_tExquisite catastrophe / _rAdrian Heathfield -- _tReturning to the hiss: listening to John Avery / _rFlora Pitrolo -- _tThat was then, this is now / _rClaire MacDonald -- _tA decade of Forced Entertainment / _rTim Etchells and Forced Entertainment -- _tThe slow hurry of figuration / _rGiulia Palladini -- _tDeferring the inevitable / _rRabih Mroué -- _tOnce upon a time, there were two words that fell in love with each other... / _rJoy Kristin Kalu -- _tA text on twenty years with sixty-six footnotes / _rTim Etchells -- _tActs of admittance, facts of speech / _rJoe Kelleher -- _tOne thing after another: the list as theatrical form / _rTheron Schmidt -- _tThe art of the impossible / _rSéverine Ruset -- _tCompendium: a forced glossary / _rMatthew Goulish -- _tReal disquiet / _rAugusto Corrieri -- _tDisappointment island / _rSara Jane Bailes -- _tAn answer without a question / _rTim Etchells -- _tTuning to the room / _rAdrian Heatherfield in conversation with Forced Entertainment and Hugo Glendinning |
520 | _a"Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comical failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life. 'Things That Go Through Your Mind When Falling' is the definitive book on a remarkable oeuvre: an exquisite anthology of previously unseen images by photographer Hugo Glendenning, collecting interview reflections and documentary materials alongside original texts and critical essays, which make a forceful intervention in the discourse on contemporary performance." --back cover | ||
610 | 2 | 0 |
_aForced Entertainment (Theater company) _9846 |
610 | 2 | 0 |
_aForced Entertainment (Theater company) _vInterviews. _915697 |
650 | 0 |
_aExperimental theater _zGreat Britain. _9847 |
|
650 | 0 |
_aPerforming arts _zGreat Britain. _915698 |
|
650 | 6 |
_aArts du spectacle _zGrande-Bretagne. _915699 |
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610 | 2 | 7 |
_aForced Entertainment (Theater company) _2fast _9846 |
650 | 7 |
_aExperimental theater _2fast |
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_aGreat Britain _2fast _1https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
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700 | 1 |
_aHeathfield, Adrian, _eeditor. _915700 |
|
700 | 1 |
_aGlendinning, Hugo, _ephotographer. _915701 |
|
710 | 2 | 2 |
_aForced Entertainment (Theater company). _tWorks. _kSelections. _915702 |
999 |
_c6308 _d6308 |