000			01915cam a22004098i 4500
001			22914122
003			AE-ShPAA
005			20240528083707.0
008			221229s2023 cau 001 0 eng
010			_a 2022060472
020			_a9781119913573 _q(hardback)
020			_z9781119913580 _q(adobe pdf)
020			_z9781119913597 _q(epub)
040			_aDLC _beng _erda _cDLC
042			_apcc
050	0	0	_aPN2061 _b.H28 2023
082	0	0	_a792.02/8 _222/eng/20230113
100	1		_aHagen, Uta, _d1919-2004, _eauthor.
245	1	0	_aRespect for acting / _cUta Hagen ; with Haskel Frankel.
250			_aExpanded edition.
250			_aSecond edition.
263			_a2304
264		1	_a[San Francisco, CA] : _bJossey-Bass, _c2023.
300			_apages cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
501			_aP.B
504			_aIncludes index.
505	0		_aThe actor. Concept -- Identity -- Substitution -- Emotional memory -- Sense memory -- The five senses -- Thinking -- Walking and talking -- Improvisation -- Reality -- The object exercises. The basic object exercise -- Three entrances -- Immediacy -- The fourth wall -- Endowment -- Talking to yourself -- Outdoors -- Conditioning forces -- History -- Character action -- The play and the role. First contact with the play -- The character -- Circumstances -- Relationship -- The objective -- The obstacle -- The action -- The rehearsal -- Practical problems -- Style.
650		0	_aActing.
700	1		_aFrankel, Haskel, _eauthor.
776	0	8	_iOnline version: _aHagen, Uta, 1919-2004. _tRespect for acting. _bExpanded edition _d[San Francisco, CA] : Jossey-Bass, 2023 _z9781119913580 _w(DLC) 2022060473
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK
999			_c6292 _d6292