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001 | SPAA_EXC344 | ||
008 | 840411t19841984njua ob 001 0 eng d | ||
020 |
_a1400857538 _a069106623X _q(electronic bk.) |
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020 |
_a9780691612065 _q(alk. paper) |
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020 |
_a9780691639994 _a0691612064 |
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020 |
_a9781400857531 _a9780691066233 _q(electronic bk.) |
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040 |
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040 | _cAE-ShPAA | ||
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050 | 4 |
_aPN2061 _b.W67 1984eb |
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082 | 0 | 4 |
_a792/.028 _219 |
092 | 0 | 4 |
_a792.028 _bWO.I 1984eb |
100 | 1 |
_aWorthen, William B., _d1955- _eauthor. _96704 |
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245 | 1 | 4 |
_aThe idea of the actor : _bdrama and the ethics of performance / _cWilliam B. Worthen. |
264 | 1 |
_aPrinceton, New Jersey : _bPrinceton University Press, _c[1984] |
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264 | 4 | _c©1984 | |
300 |
_a1 (281 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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501 | _aP.B | ||
504 | _aIncludes bibliographical references and index. | ||
505 |
_tFrontmatter -- _tAcknowledgments -- _tContents -- _tThe Idea of the Actor: Introduction -- _t1. Is it not monstrous: The Demonic Dialectic of Renaissance Acting -- _t2. Realize the feelings of his Character: Gesture, Feeling, and Community in the Sentimental Theater -- _t3. Self-Betrayal: The Optics of Modern Acting -- _tPostscript -- _tNotes -- _tIndex |
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520 | _aAnalyzing the relationship between dramatic action and the controversial art of acting, William Worthen demonstrates that what it means to act, to be an actor, and to communicate through acting embodies both an ethics of acting and a poetics of drama.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
588 | 0 | _aPrint version record. | |
650 | 0 |
_aActing _96705 |
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650 | 0 |
_aDrama _96706 |
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650 | 0 |
_aEnglish drama _xHistory and criticism _96707 |
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650 | 0 |
_aTheater _96708 |
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650 | 7 |
_aActing _96709 |
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650 | 7 |
_aDrama _96710 |
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650 | 7 |
_aEnglish drama _96711 |
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650 | 7 |
_aPERFORMING ARTS _xActing & Auditioning _96712 |
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650 | 7 |
_aPERFORMING ARTS _xTheater _xGeneral _96713 |
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650 | 7 |
_aTheater _96714 |
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655 | 0 |
_aElectronic books. _96715 |
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655 | 4 |
_a7 _aElectronic books. _96716 |
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655 | 4 |
_aElectronic books. _96717 |
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655 | 7 |
_aCriticism, interpretation, etc. _96718 |
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776 | 0 | 8 |
_iPrint version: _aWorthen, William B. _tIdea of the actor : drama and the ethics of performance. _dPrinceton, New Jersey : Princeton University Press, [1984] _h269 pages ; 23 cm _z9780691612065 |
856 | 4 | 0 |
_3De Gruyter _uhttp://www.degruyter.com/search?f_0=isbnissn&q_0=9781400857531&searchTitles=true |
856 | 4 | 0 |
_3De Gruyter _uhttps://doi.org/10.1515/9781400857531 |
856 | 4 | 0 |
_3ebrary _uhttp://site.ebrary.com/id/10898569 |
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=791337 |
856 | 4 | 0 |
_3Internet Archive _uhttps://archive.org/details/ideaofactordrama0000wort |
856 | 4 | 0 |
_3JSTOR _uhttps://www.jstor.org/stable/10.2307/j.ctt7ztmwh |
856 | 4 | 0 |
_3Open Library _uhttps://openlibrary.org/books/OL2867282M |
856 | 4 | 0 |
_3Project MUSE _uhttps://muse.jhu.edu/books/9781400857531/ |
856 | 4 | 0 |
_3ProQuest Ebook Central _uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=3030705 |
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