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050	1	4	_aPN2021 _b.B68 1978
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092	0	4	_a792 _bBR.W 1978
100		1	_aWillett, John _96278
245	0	0	_aBrecht on theatre : _bthe development of an aesthetic / _cedited and translated by John Willett
260			_aNew York : _bBloomsbury, _c2013
300			_a294 Pages : _bill., portPages
490	1		_aPlays and Playwrights
500			_aOriginalår: 1964
500			_aOriginaltitel: Berholt-Brecht-Erben
501			_aP.B
504			_aIncludes bibliographical references (p. 284-285).
505	0		_aPart One 1918-1932 / Frank Wedekind -- A reckoning -- Emphasis on sport -- Three cheers for shaw -- Conversation with Bert Brecht -- A radio speech -- Shouldn't we abolish aesthetics? -- The epic theatre and its difficulties -- Last stage: Oedipus -- A dialogue about acting -- On form and subject-matter -- An example of paedigogics -- The modern theatre is the epic theatre -- The literarization of the theatre -- The film, the novel and epic theatre -- The radio as an apparatus of communication -- The question of criteria for judging acting -- Indirect impact of the epic theatre -- Part Two 1933-1946 / Interview with an exile -- Theatre for pleasure or theatre for instruction -- The German drama: pre-Hitler -- Criticism of the New York production of Die Mutter -- On the use of music in an epic theatre -- Alienation effects in Chinese acting -- Notes to Die Rundkopfe and Die spitzkopfe -- On gestic music -- The popular and the realistic -- On rhymeless verse with irregular rhythms -- The street scene -- On experimental theatre -- New technique of acting -- Two essays on unprofessional acting -- Notes on the folk play -- Alienation effects in the narrative pictures of the elder brueghel -- A little private tuition for my friend Max Gorelik -- Building up a part: Laughton's Galileo -- Dr Messingkauf: an editorial note -- Part Three 1947-1948 / A short organum for the theatre -- Part Four 1948-1956 / Masterful treatment of a model -- From the mother courage model -- Does use of the model restrict the artist's freedom? -- Formal problems arising from the theatre's new content -- Stage design for the epic theatre -- From a letter to an actor -- Some of the things that can be learnt from Stanislavsky -- Theaterarbeit: an editorial note -- Notes on Erwin Strittmatter's play Katzgraben -- Study of the first scene of Shakespeare's Coriolanus -- Cultural policy and academy of arts -- Conversation about being forced into empathy -- Classical status as an inhibiting factor -- Can the present-day world be reproduced by means of theatre? -- Appendices to the short organum -- Dialectics in the theatre: an editorial note -- Our london season -- Other English translations -- Index.
520	8		_aThis selection of Bertolt Brecht s critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Alienation evolved, and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo and many others of his plays. Also included is A Short Organum for the Theatre, Brecht s most complete statement of his revolutionary philosophy of the theatre. With over 32 pages of photographs of Brecht s productions and workshops, this is a key volume for Literature and Theatre Studies alike.
600	1	4	_aBrecht, Bertolt, _d1898-1956 _96279
650		0	_aTheater. _96280
650		7	_aTeatro (teoria) _2larpcal _96281
650		7	_aTeatro alemao _2larpcal _96282
650		7	_aTheater _2fast _0(OCoLC)fst01149217 _96283
700	1		_aBrecht, Bertolt, _d1898-1956 _96284
700	1		_aWillett, John _96278
740	0		_aOn theatre
830		0	_aPlays and Playwrights _96285
942			_cBK
991			_a0003720
999			_c4490 _d4490