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_a037570423X _q(pbk. ; _qalk. paper) |
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_a808.2 _bMA.T 2000 |
100 | 1 |
_aMamet, David. _96210 |
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245 | 1 | 0 |
_a3 uses of the knife : _bon the nature and purpose of drama / _cDavid Mamet. |
246 | 3 | _aThree uses of the knife | |
250 | _a1st Vintage books ed. | ||
260 |
_aNew York : _bVintage Books, _c2000. |
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300 |
_a87 pages ; _c21 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aIncludes index. | ||
500 | _aOriginally published: New York : Columbia University Press, ©1998. | ||
501 | _aP.B | ||
501 | _aP.B | ||
505 | 0 | _a1. The wind-chill factor -- 2. Second act problems -- 3. Three uses of the knife. | |
520 | _aWhat makes good drama? And why does drama matter in an age that is awash in information and entertainment? With bracing directness and aphoristic grace, the Pulitzer Prize-winning playwright of Glengarry Glen Ross delivers a thrillingly original treatise on his art. To David Mamet, human beings are drama-creating animals who impose narrative structures on everything from today's weather to next year's elections. Mamet distinguishes true drama from its false variants, unravels the infamous Second-Act Problem, and considers the mysterious persistence of the soliloquy. Three Uses of the Knife is an inspired guide for any playwright or theatergoer that doubles as a trenchant work of moral and aesthetic philosophy. - Publisher. | ||
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_aDramentechnik _2gnd _96218 |
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_aDramentheorie _2gnd _96219 |
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_aWirklichkeit _2gnd _96220 |
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_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/bios/random052/00033387.html |
856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/description/random047/00033387.html |
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