000			04872cam a2200433 a 4500
001			SPAA_EXC189
008			091217s2010 couc b 000 0 eng
010			_a 2009050728
019			_a1003797986
020			_a156608167X
020			_a9781566081672
040			_aDLC _beng _cDLC _dBTCTA _dC#P _dYDXCP _dBWX _dHEBIS _dLML _dEDK _dIG# _dBDX _dOCLCF _dOCLCQ _dOCLCA _dCHILD _dQQ3 _dOCLCO _dGILDS _dBNC _dOCLCO _dTKN _dOCLCO _dJTB _dOCLCO
040			_cAE-ShPAA
050	0	0	_aPN2055 _b.G54 2010
082	0	0	_a792.02/8023 _222
092	0	0	_a792.028023 _bGL.A 2010
100	1		_aGleason, Paul G. _95589
245	1	0	_aActing for love & money : _bconnecting the craft to the industry / _cPaul G. Gleason & Gavin Levy.
246	3	0	_aActing for love and money
250			_a1st ed.
260			_aColorado Springs, Colo. : _bMeriwether Pub. Ltd., _c©2010.
300			_a226 pages : _bportraits ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
501			_aP.B
501			_aP.B
504			_aIncludes bibliographical references.
505	0		_aIntroduction -- Chapter 1: Acting Is Not A Business, But It Can Be Business-Like -- 1: Way of being -- 2: Acting all the way -- 3: Home -- 4: Ask a question -- 5: In search of excellence -- Chapter 2: Audience -- 6: Gathering 2 -- 7: I am exercise -- 8: Template -- 9: New beginning -- 10: Day's journey -- Chapter 3: Technology And Information For The Actor -- 11: Technology and the actor -- 12: Sound off -- 13: Acting is everywhere -- Chapter 4: Fix Yourself, Then Use Yourself -- 14: Energy in, energy out -- 15: Scanning the body -- 16: Six awareness -- 17: Child's play -- 18: Sing us a song -- 19: Body bio -- Chapter 5: Sound And Vocal Levels -- 20: Directing the voice -- 21: Whisper exercise -- 22: Falling inflection -- 23: In a word -- 24: Walk and talk -- 25: Boomlay boomlay boomlay boom -- Chapter 6: Storyteller -- 26: Over the top -- 27: Impulse -- 28: Punctuation out -- 29: Alternating between thoughts, or the intent exercise -- 30: Teach yourself -- 31: Release of reaction -- Chapter 7: Magnetic Personality -- 32: Gathering -- 33: Plumb line -- 34: Unmask yourself -- 35: Throw it away -- 36: Using senses to make sense -- Chapter 8: Auditioning -- 37: To be an actor, or not to be -- 38: Falling in line -- 39: Animation exercise -- 40: Conservation with the actor (part 1) -- 41: Dancing like a star -- 42: Conservation with the actor (part 2) -- Chapter 9: Imagination -- 43: Descriptive imagination -- 44: Character discoveries -- 45: Up and down -- 46: Cross the line -- Chapter 10: Physical Actor -- 47: Breathe in and out -- 48: Pre-pre-exercise -- 49: Air bubble -- 50: Elbow to the knee -- 51: Alexander exercise -- Chapter 11: State Of Being -- 52: Being present -- 53: Who you are and who you are not -- 54: Inhibit -- 55: Opposites -- 56: Big muscle, little muscle -- Chapter 12: Eureka! -- 57: Inside out -- 58: Room scan -- 59: Eureka! moment -- 60: Memory exercise -- Chapter 13: Creating A World -- 61: Begin again -- 62: Begin again part 2 -- 63: Sounds -- 64: Maybe exercise -- 65: Inner dialogue -- Chapter 14: Mirror Neurons -- Back to back -- 67: Connections -- 68: Mirror endowment -- 69: Mirroring -- Chapter 15: Intimacy And Confrontation -- 70: Limitless possibilities -- 71: Conversation with the actor (part 3) -- 72: Conservation with the actor (part 4) -- 73: Spontaneous moves -- 74: Clean slate -- 75: Intimacy and confrontation in acting -- In closing -- About the authors.
520			_aProduct Description: This collection of seventy-five acting exercises is designed to prepare actors and acting students for a professional career. The exercises were created during workshop sessions conducted by the authors with participants of the Paul G. Gleason Theatre in Hollywood. Over three hundred hours of recorded sessions were edited to pick the best exercises for developing acting skills. The book is divided into fifteen sections: Acting Is Not a Business, but It Can Be Business-Like; The Audience; Technology and Information for the Actor Fix Yourself, Then Use Yourself; Sound and Vocal Levels; The Storyteller; A Magnetic Personality; Auditioning; Imagination; The Physical Actor; A State of Being; Eureka; Creating a World; Mirror Neurons; and Intimacy and Confrontation. Also includes insights from many professionals in the acting industry. This book is for dedicated actors looking to be in major productions, on major television shows, or in major movies.
650		0	_aActing _xVocational guidance. _95590
650		0	_aActing. _95591
650		7	_aActing _xVocational guidance. _2fast _0(OCoLC)fst00796170 _95592
650		7	_aActing. _2fast _0(OCoLC)fst00796146 _95593
650		7	_aSchauspielkunst _2gnd _95594
655		4	_aNonfiction. _95595
700	1		_aLevy, Gavin. _95596
942			_cBK
999			_c4387 _d4387