000 02308cam a2200421Ma 4500
001 883330460
003 AE-ShPAA
005 20230216143852.0
006 m o d
007 cr cnu---unuuu
008 090713s2014 nyu o 000 u eng d
020 _a9781101202852
_q(electronic bk.)
020 _a1101202858
_q(electronic bk.)
020 _z9780143115038
020 _z0143115030
028 0 1 _aEB00389816
_bRecorded Books
040 _aRECBK
_beng
_cRECBK
_dOCLCO
_dOCLCF
_dOCLCQ
_dOCLCO
_dYDXCP
_dOCLCQ
_dOCLCO
_dOCLCQ
050 _aPN1993.5.U6
_bH377 2014
100 1 _aHarris, Mark.
_94482
245 1 0 _aPictures at a revolution :
_bfive movies and the birth of the new hollywood /
_cMark Harris.
260 _aNew York :
_bPenguin Books,
_c2014.
300 _a490 pages ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aTitle from resource description page (Recorded Books, viewed June 19, 2014).
520 _aThe New York Times bestseller that follows the making of five films at a pivotal time in Hollywood history In the mid-1960s, westerns, war movies, and blockbuster musicals like Mary Poppins swept the box office. The Hollywood studio system was astonishingly lucrative for the few who dominated the business. That is, until the tastes of American moviegoers radically- and unexpectedly-changed. By the Oscar ceremonies of 1968, a cultural revolution had hit Hollywood with the force of a tsunami, and films like Bonnie and Clyde, The Graduate, Guess Who's Coming to Dinner, In the Heat of the Night, and box-office bomb Doctor Doolittle signaled a change in Hollywood-and America. And as an entire industry changed and struggled, careers were suddenly made and ruined, studios grew and crumbled, and the landscape of filmmaking was altered beyond all recognition.
650 0 _aHistory.
_9656
650 6 _aHistoire.
_94483
650 7 _ahistory (discipline)
_2aat
_94484
650 7 _aHISTORY
_zUnited States
_x20th Century.
_2bisacsh
_94485
650 7 _aHistory.
_2fast
_0(OCoLC)fst00958235
_9656
776 0 8 _cOriginal
_z9780143115038
_z0143115030
_w(OCoLC)233549223
856 4 0 _uhttp://rbdigital.oneclickdigital.com
942 _2lcc
_cBK
999 _c4189
_d4189
999 _d4189
999 _d4189