000 03932cam a22003978i 4500
001 22404609
005 20240528083532.0
008 220131s2022 enk 000 0 eng
010 _a 2022004628
020 _a9781032200392
_q(hardback)
020 _a9781032308562
_q(paperback)
020 _z9781003307020
_q(ebook)
040 _aDLC
_beng
_erda
_cDLC
042 _apcc
050 0 0 _aML3877
_b.N63 2022
082 0 0 _a781.2/3
_b23
245 0 0 _aNoise as a constructive element in music :
_btheoretical and music-analytical perspectives /
_cedited by Mark Delaere.
250 _a[01.]
263 _a2207
264 1 _aAbingdon, Oxon ;
_aNew York :
_bRoutledge,
_c2022.
300 _apages cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aMusical cultures of the twentieth century ;
_v10
501 _aP.B
501 _aP.B
505 0 _aIntroduction. The Blessings of Noise Music / Mark Delaere -- PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music / Makis Solomos -- PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music / Marina Sudo.
520 _a"Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society, or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume also offers contributions by music analysts"--
_cProvided by publisher.
650 0 _aMusic
_y20th century
_xPhilosophy and aesthetics.
_94375
650 0 _aNoise (Philosophy)
_94376
650 0 _aNoise music
_xPhilosophy and aesthetics.
_94377
700 1 _aDelaere, Mark,
_eeditor.
_94378
776 0 8 _iOnline version:
_tNoise as a constructive element in music
_b[01.]
_dAbingdon, Oxon ; New York : Routledge, 2022
_z9781003307020
_w(DLC) 2022004629
942 _cBK
999 _c4159
_d4159