000			01977cam a2200385 i 4500
001			22038308
005			20240528083532.0
008			210517s2022 maua b 001 0 eng
010			_a 2021014612
020			_a9780262543521 _q(paperback)
040			_aDLC _beng _erda _cDLC _dDLC
042			_apcc
043			_an-us---
050	0	0	_aNX512.G76 _bG73 2022
082	0	0	_a700.973 _223
100	1		_aGrace, Claire _q(Claire R.), _eauthor. _94335
240	1	0	_aGroup Material and the 1980s
245	1	0	_aArt demonstration : _bgroup material and the 1980s / _cClaire Grace.
264		1	_aCambridge, Massachusetts : _bThe MIT Press, _c[2022]
300			_axiii, 411 pages : _billustrations ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aAn October books
500			_aRevision of the author's thesis (doctoral)--Harvard University, 2014, under the title: Group Material and the 1980s : a materialist postmodernism.
501			_aP.B
501			_aP.B
504			_aIncludes bibliographical references (pages 337-402) and index.
505	0		_aAmerica, Americana (1985), and the exhibition interior -- "To change time" : historical intervention in the timeline exhibitions of 1984 and 1989 -- Counterpublics in transit : "dangerous" painting in subculture, 1983 -- Democratic looking.
520			_a"Benefitting from years of access to participating individuals and their archives, Grace reconstructs and vividly describes the ephemeral projects of an avant-garde collective whose name is well-known, but whose work is barely understood. (Member Felix Gonzalez-Torres once called it "the best kept-secret in the art world.")"-- _cProvided by publisher.
610	2	0	_aGroup Material (Firm : New York, N.Y.) _94336
650		0	_aArts _xPolitical aspects _zUnited States _xHistory _y20th century. _94337
650		0	_aArts _zUnited States _xExperimental methods. _94338
942			_cBK
999			_c4147 _d4147