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020 _z9781000537963
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050 0 0 _aPN1590.A9
_bR68 2022
079 _a1337837350
090 _aPN1590.A9
_bR68 2022 (LC)
245 0 0 _aRoutledge companion to audiences and the performing arts /
_cedited by Matthew Reason, Lynne Conner, Katya Johanson, and Ben Walmsley.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge, Taylor & Francis Group,
_c2022.
264 4 _c♭2022
300 _axxi, 557 pages :
_billustrations (black and white) ;
_c25 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aAudience research
490 1 _aRoutledge companions
501 _aP.B
501 _aP.B
504 _aIncludes bibliographical references and index.
505 0 _aThe paradox of audiences / Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley -- Ellen Dissanayake in conversation / Ellen Dissanayake and Lynne Conner -- Histories of audiencing : on evidence, mythology and nostalgia / Helen Freshwater -- Disrupting the audience as monolith / Lynne Conner -- Who? Why? And how? : The contribution of sociology to the study of arts audiences and where it needs help / Laurie Hanquinet -- The future of audiences and audiencing / Jennifer Novak Leonard -- Which global? Which local? : Aucitya, Rasa, development, Ase and other demands on the audience / Glenn Odom and Giri Raghunathan -- Forced experiences : shifting modes of audience involvement in immersive performances / Doris Kolesch and Theresa Schütz -- Alan Brown in conversation / Alan Brown and Emma McDowell -- Are we the baddies? : Audience development, cultural policy and ideological precarity / Steven Hadley -- At what cost? Working class audiences and the price of culture / Maria Barrett -- A 'universal design' for audiences with disabilities? / Bree Hadley -- Fans and fandom in the performing arts / Kirsty Sedgman -- The role of the audience in forum and interactive theatre : perspectives from Bangladesh / Meghna Guhathakurta -- Audience engagement and the production of efficacious theatre : case studies from Ghana / Awo Mana Asiedu -- Critical perspectives on valuing culture : tensions and disconnections between research, policy and practice / Ben Walmsley and Julian Meyrick -- Martin Barker in conversation / Martin Barker and Matthew Reason -- Mixing methods in audience research practice : a multi-method(ological) discussion / Emma McDowell -- Quantifying the dance spectacle in the audience's mind : a methodological quest for neuroscience research / Corinne Jola -- Continuous and collective measures of real-time audience engagement / L.S. Merritt Millman, Guido Orgs and Daniel Richardson -- Audience interaction : approaches to researching the social dynamics of live audiences / Patrick G.T. Healey, Matthew T. Harris and Michael F. Schober -- Quantitative measures of audience experience / Wing Tung Au, Zhumeng Zuo and Paton Pak Chun Yam -- The benefits and challenges of large-scale qualitative research / Stephanie Pitts and Sarah Price -- Creative methods and audience research : affordances and radical potential / Matthew Reason -- Ethics in audience research : by the book or on the hop? / Katya Johanson and Hilary Glow -- Affect / Lucy Thornett -- Agency / Astrid Breel -- Co-creation / Michael Pinchbeck and Rachel Baynton -- Covid-19 / Tully Barnett -- Data / Rishi Coupland -- Dialogue / Maddy Costa -- Integrated and inclusive / Vipavinee Artpradid -- Labour / Martin Young -- Language / Michelle Loh -- Laughter / Natalie Diddams -- Marginalia / Helen Yung -- Memory / Elaine Faull -- One-to-one / Rachel Gomme -- Pantomime / Robert Marsden -- Post-humanity / Fayen D'Evie -- Post-show / Diane Ragsdale -- Rehearsal / Anja Ali Haapala -- Relaxed / Lauren Hall and Paul Wilshaw -- Risk / Ella de Br︢ca -- Sickness / Vern̤ica Rodrg̕uez -- Thresholds / Stefania Donini -- Touch / Elena S.V. Flys -- Afterword: Covid-19, audiences, and the future of the performing arts / Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley.
520 _a"The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music, and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers, and postgraduates, as well as to theatre, dance, opera, and music practitioners, and performing arts organisations and stakeholders involved in educational activities"--
_cProvided by publisher.
650 0 _aPerforming arts
_xAudiences.
_0http://id.loc.gov/authorities/subjects/sh85099819
_93893
650 7 _aPerforming arts
_xAudiences.
_2fast
_0(OCoLC)fst01057889
_93893
700 1 _aConner, Lynne,
_eeditor.
_0http://id.loc.gov/authorities/names/n96102760
_94202
700 1 _aJohanson, Katya,
_eeditor.
_0http://id.loc.gov/authorities/names/no2013112254
_94203
700 1 _aReason, Matthew,
_d1975-
_eeditor.
_0http://id.loc.gov/authorities/names/n2006029367
_94204
700 1 _aWalmsley, Ben,
_eeditor.
_0http://id.loc.gov/authorities/names/no2012010263
_94205
776 0 8 _iOnline version:
_tRoutledge companion to audiences and the performing arts
_dAbingdon, Oxon ; New York, NY : Routledge, 2022
_z9781003033226
_w(DLC) 2021042611
830 0 _aRoutledge companions.
_0http://id.loc.gov/authorities/names/no2001081532
_9431
942 _cBK
999 _c4122
_d4122