000			02619cam a22003738i 4500
001			22416714
003			AE-ShPAA
005			20230215155805.0
008			220209s2022 nyu b 001 0 eng
010			_a 2021054817
020			_a9780367367510 _q(Hardback)
020			_a9781032225630 _q(Paperback)
020			_z9780429351266 _q(eBook)
040			_aDLC _beng _cDLC _erda
042			_apcc
050	0	0	_aN8257.5 _b.C68 2022
082	0	0	_a302.23 _223
100	1		_aCouzins, Richard, _eauthor. _94124
245	1	0	_aVoice as art : _bfrom theatre to forensics / _cRichard Couzins.
250			_aFirst Edition.
263			_a2204
264		1	_aNew York : _bRoutledge, _c2022.
300			_a170pages; _c21 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aRoutledge voice studies
504			_aIncludes bibliographical references and index.
520			_a"Voice as Art considers how artists have used human voices, since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce Nauman, Janet Cardiff, and Mike Kelley through to contemporary practice by Shilpa Gupta, The Otolith Group Elizabeth Price the voice is tracked through modernism and postmodernism to posthumanism in relation to speaking subjects, sculptural objects, documents, dramaturgical utterance, forensic evidence, verbatim techniques, and embodied listening. This book gives artists, researchers, and art audiences ways to understand how voices exist in between theoretical discourses and how with their utterance's artists create new dispositions in space by reworking genres to critique cultural form and meaning. It will be of great interest to students and practitioners of sound art, visual culture and theatre and performance"-- _cProvided by publisher.
650		0	_aVoice in art. _94125
776	0	8	_iOnline version: _aCouzins, Richard. _tVoice as art _bFirst Edition. _dNew York : Routledge, 2022 _z9780429351266 _w(DLC) 2021054818
942			_2lcc _cBK
999			_c4099 _d4099
999			_d4099