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008 211007s2022 si ob 001 0 eng d
019 _a1275357818
_a1275427344
_a1276777492
020 _a1000400743
_q(electronic book
_qelectronic book)
020 _a1000400999
_q(electronic book
_qEPUB)
020 _a1003180418
_q(electronic book)
020 _a9781000400748
_q(electronic book)
020 _a9781000400991
_q(electronic book
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020 _a9781003180418
_q(electronic book)
020 _z9789814877855
020 _z9814877859
029 1 _aAU@
_b000070276343
037 _a9781003180418
_bTaylor & Francis
040 _aTYFRS
_beng
_erda
_epn
_cTYFRS
_dYDX
_dEBLCP
_dUKAHL
_dN$T
_dYDXIT
_dOCLCO
_dOCLCQ
_dOCLCO
_dOCLCQ
050 4 _aML3916
_b.M87 2022
072 7 _aAVG
_2bicssc
072 7 _aSCI
_x086000
_2bisacsh
082 0 4 _a306.4842
_223
245 0 0 _aMusical Spaces :
_bPlace, Performance, and Power /
_cedited by James Williams, Samuel Horlor.
264 1 _aSingapore :
_bJenny Stanford Publishing,
_c[2022]
300 _a1 online resource (1 volume)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
501 _aP.B
501 _aP.B
504 _aIncludes bibliographical references and index.
520 _aThere is growing recognition and understanding of music's fundamentally spatial natures, with significances of space found both in the immediacy of musical practices and in connection to broader identities and ideas around music. Whereas previous publications have looked at connections between music and space through singular lenses (such as how they are linked to ethnic identities or how musical images of a city are constructed), this book sets out to explore intersections between multiple scales and kinds of musical spaces. It complements the investigation of broader power structures and place-based identities by a detailed focus on the moments of music-making and musical environments, revealing the mutual shaping of these levels. The book overcomes a Eurocentric focus on a typically narrow range of musics (especially European and North American classical and popular forms) with case studies on a diverse set of genres and global contexts, inspiring a range of ethnographic, text-based, historical, and practice-based approaches.
545 0 _aJames Williams is an ethnomusicologist and senior lecturer at the University of Derby, UK. His PhD, from the University of Wolverhampton, UK (2016), focused on the collaborative and creative interactions between professional musicians, while his current research concerns behavioural, socio-cultural, and creative processes in wellbeing and education. Samuel Horlor is a postdoctoral fellow at the Center for Ethnomusicology, Yunnan University, China. He specialises in research on street performance, Chinese pop, and music in urban life. Samuel is the author of Chinese Street Music: Complicating Musical Community (Cambridge University Press, 2021) and articles in journals including Ethnomusicology Forum and Asian Music.
588 0 _aOnline resource; title from digital title page (viewed on October 26, 2021).
650 0 _aMusic
_xSocial aspects.
_93898
650 6 _aMusique
_xAspect social.
_93899
650 7 _aMusic
_xSocial aspects.
_2fast
_0(OCoLC)fst01030444
_93898
650 7 _aSCIENCE
_xLife Sciences
_xGeneral.
_2bisacsh
_93900
700 1 _aHorlor, Samuel,
_eeditor.
_93901
700 1 _aWilliams, James,
_eeditor.
_93902
776 0 8 _iPrint version:
_aWILLIAMS, JAMES.
_tMUSICAL SPACES.
_d[Place of publication not identified] : JENNY STANFORD PUB, 2021
_z9814877859
_w(OCoLC)1232272550
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2982109
856 4 0 _3ProQuest Ebook Central
_uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=6747732
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/e/9781003180418
856 4 0 _3VLeBooks
_uhttps://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781000400748
942 _cBK
999 _c4050
_d4050