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_aPN2595.132 _b.A13 2021eb |
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_a792.09410905a _223 |
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_aA companion to British-Jewish theatre since the 1950s / _c[edited by] Jeanette R. Malkin, Eckart Voigts and Sarah Jane Ablett. |
250 | _aFirst edition. | ||
264 | 1 |
_aLondon [England] : _bMethuen Drama, _c2021 |
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264 | 2 |
_a[London, England] : _bBloomsbury Publishing, _c2021 |
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300 | _a1 online resource (288 pages). | ||
336 |
_atext _2rdacontent |
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_aelectronic _2isbdmedia |
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_aonline resource _2rdacarrier |
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490 | 1 | _aMethuen Drama Engage. | |
501 | _aP.B | ||
501 | _aP.B | ||
505 | 0 | _aIntroduction 1 Invisible otherness: British-Jewish Theatre since the 1950s / Eckart Voigts, TU Braunschweig, Germany and Jeanette R. Malkin, Hebrew University, Jerusalem, Israel -- Part one. The post-war east-end scene: Pinter, Wesker, Berkoff, Kops. 2. The didactic theatre of Arnold Wesker: didactic, utopian, Biblical / Peter Lawson, Open University, London, UK ; 3 Re-staging the Jewish east end: Steven Berkoff and Bernard Kops / Jeremy Solomons, University of Reading, UK ; 4 The theatre of Harold Pinter: staging indefinable and divided 'Jewishness' / Peter Lawson 5 'A Jew who writes': The shadow of the Holocaust in Harold Pinter's work / Mark Taylor-Batty, University of Leeds, UK -- Part two. Force fields and faultlines: the Holocaust, antisemitism, and the Israel-Palestine conflict. 6 Holocaust commemoration in contemporary British Theatre: Eva Hoffman's Play, the ceremony / Phyllis Lassner, Northwestern University, Chicago. USA ; 7 Dramatic responses to the resurgence of antisemitism: on trial -- the blood libel / Arnold Wesker and Steven Berkoff Axel Stähler, University of Kent, Canterbury, UK ; 8 Representing the Israel/Palestine conflict in contemporary British-Jewish Theatre / Mike Witcombe, University of Bath, UK -- Part three. Contemporary British-Jewish playwrights and theatres in Britain: continuities and departures. 9 'Affiliation and belonging': contemporary British-Jewish women playwrights / Eckart Voigts and Sarah Jane Ablett, TU Braunschweig, Germany ; 10 Three ways of being a contemporary British-Jewish playwright: Tom Stoppard, Patrick Marber, Ryan Craig / Jeanette R. Malkin ; 11. Staging Jewishness in the 21st century: the key venues / Cyrielle Garson, Avignon Universit,̌ France -- Part four. Television drama 12 British-Jewish television drama: Jack Rosenthal to the present / Sue Vice, University of Sheffield, UK ; 13. 'It was f***ing biblical, mate': the maturity of British Television drama / Nathan Abrams, University of Bangor, UK -- Part five. Interviews with contemporary British Theatre artists (from 2017/2018). 14. Nicholas Hytner ; 15. Julia Pascal ; 16. Patrick Marber ; 17. Ryan Craig ; 18. John Nathan. | |
520 |
_a"The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies."-- _cProvided by publisher. |
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532 | 0 | _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. | |
650 | 0 |
_aTheater _zGreat Britain _xHistory. _93473 |
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650 | 0 |
_aJewish theater _zGreat Britain _xHistory. _93474 |
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650 | 6 |
_aThéâtre juif _zGrande-Bretagne _xHistoire. _93475 |
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650 | 7 |
_aJudaism. _2bicssc _93476 |
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_aTheatre studies. _2bicssc _91653 |
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_aDrama _xGeneral. _2bisacsh _93477 |
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_aPerforming Arts _xTheater _xGeneral. _2bisacsh |
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_aReligion _xJudaism _xGeneral. _2bisacsh _93478 |
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_aJewish theater. _2fast _0(OCoLC)fst00983041 _93479 |
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_aTheater. _2fast _0(OCoLC)fst01149217 |
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_aGreat Britain. _2fast _0(OCoLC)fst01204623 |
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_aHistory. _2fast _0(OCoLC)fst01411628 |
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700 | 1 |
_aAblett, Sarah Jane, _eeditor. _93480 |
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700 | 1 |
_aVoigts, Eckart, _eeditor. _93481 |
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_aMalkin, Jeanette R., _eeditor. _93482 |
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_iPrint version: _z9781350211957 |
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_3Abstract with links to full text _uhttps://doi.org/10.5040/9781350135994?locatt=label:secondary_bloomsburyCollections _qtext/html |
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