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_a792.0941090/51 _223 |
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_aPER011020 _2bisacsh |
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100 | 1 |
_aFinburgh, Clare, _eauthor. _93372 |
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245 | 1 | 0 |
_aWatching war on the twenty-first century stage : _bspectacles of conflict / _cClare Finburgh Delijani. |
264 | 1 |
_aLondon ; _aNew York : _bBloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc, _c2017. |
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264 | 4 | _c©2017 | |
300 |
_a1 online resource (xv, 355 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aMethuen drama engage | |
501 | _aP.B | ||
501 | _aP.B | ||
504 | _aIncludes bibliographical references (pages 330-346) and index. | ||
505 | 0 | _aBy way of an introduction -- An introduction to war and/as spectacle -- Helmets--soldiering as spectacle -- Headscarves--'terrorism' as spectacle -- Hoods--human rights abuses omitted from spectacle -- Conclusiviolenceiolece without violence'. | |
520 | 8 | _aThis is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions - including plays from playwrights such as Caryl Churchill, Mark Ravenhill and Martin Crimp, as well as devised and dance-based theatre - Spectacles of Conflict is a richly provocative engagement with an issue that permeates contemporary culture and consciousness. Residents in wealthy nations such as the UK are invited - at a safe distance, from the comfort of our sofas or our desktops - to spectate, to gawp at, to indulge in images of violence and conflict. Finburgh asks how plays and performances have succeeded, or failed, in negotiating their own status as spectacle in order to make war as it is actually waged, more palpable, in all its devastating vastness. The original and interdisciplinary interrogation offers new ways of analysing representations of war and gives coherence to a large and ever-expanding field by examining and evoking a broad spectrum of theatre and performance pieces, that includes national and fringe productions, text-based theatre and physical performance, and promenade, site-specific and conventional pieces. | |
588 | 0 | _aPrint version record. | |
650 | 0 |
_aTheater _xPolitical aspects _zGreat Britain _y21st century. _93373 |
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650 | 0 |
_aWar and theater. _93374 |
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650 | 0 |
_aViolence in the theater. _93375 |
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650 | 0 |
_aTheater _xPolitical aspects _zGreat Britain. _93376 |
|
650 | 0 |
_aWar in art _xSocial aspects. _93377 |
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650 | 6 |
_aThéâtre _xAspect politique _zGrande-Bretagne _y21e siècle. _93378 |
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650 | 6 |
_aGuerre et théâtre. _93379 |
|
650 | 6 |
_aViolence au théâtre. _93380 |
|
650 | 6 |
_aThéâtre _xAspect politique _zGrande-Bretagne. _93381 |
|
650 | 6 |
_aGuerre dans l'art _xAspect social. _93382 |
|
650 | 7 |
_aLiterary studies: plays & playwrights. _2bicssc _93383 |
|
650 | 7 |
_aTheatre studies. _2bicssc _91653 |
|
650 | 7 |
_aPERFORMING ARTS _xTheater _xGeneral. _2bisacsh |
|
650 | 1 | 7 |
_aPERFORMING ARTS _xTheater _xHistory & Criticism. _2bisacsh _9953 |
650 | 7 |
_aTheater. _2fast _0(OCoLC)fst01149217 |
|
650 | 7 |
_aTheater _xPolitical aspects. _2fast _0(OCoLC)fst01149276 _93384 |
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650 | 7 |
_aViolence in the theater. _2fast _0(OCoLC)fst01167310 _93375 |
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650 | 7 |
_aWar and theater. _2fast _0(OCoLC)fst01736385 _93374 |
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_aGreat Britain. _2fast _0(OCoLC)fst01204623 |
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648 | 7 |
_a2000-2099 _2fast |
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655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
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776 | 0 | 8 |
_iPrint version: _aFinburgh, Clare. _tWatching war on the twenty-first century stage _z9781472598660 _w(DLC) 2017011851 _w(OCoLC)989519765 |
830 | 0 |
_aMethuen drama engage. _91656 |
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856 | 4 | 0 |
_3Abstract with links to full text _uhttps://doi.org/10.5040/9781472598691?locatt=label:secondary_bloomsburyCollections |
856 | 4 | 0 |
_3Drama online _uhttps://doi.org/10.5040/9781472598691?locatt=label:secondary_dramaOnline |
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