000			03642cam a2200553 i 4500
001			1304834692
003			AE-ShPAA
005			20221117105047.0
006			m o d
007			cr |||||||||||
008			220109s2022 nyua ob 001 0 eng
010			_a 2021057255
020			_a9781000586510 _q(epub)
020			_a1000586510
020			_a9781003173076 _q(ebook)
020			_a1003173071
020			_z9781032001715 _q(hardback)
020			_z9781032001739 _q(paperback)
029	1		_aUKMGB _b020565697
040			_aDLC _beng _erda _cDLC _dYDX _dOCLCF
042			_apcc
050	0	0	_aPN2058 _bC367 2022
082	0	0	_a792.02/8019 _223/eng/20220318
100	1		_aCampo, Giuliano, _d1970- _eauthor. _979
245	1	0	_aActing the essence : _bthe performer's work on the self / _cGiuliano Campo.
264		1	_aNew York ; _aLondon : _bRoutledge, _c2022.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction. Acting with bad intentions -- The work on one's self in Stanislavski's lineage -- Grotowski from theatre to ritual arts -- Performances and altered states of consciousness (ASC): An overview -- Trance, possession, and acting -- Pirandello's actor -- Simone Weil, performance, and attention.
520			_a"Acting the Essence examines the theory, practice and history of the art of the performer from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor. Reflecting primarily on the legacy of Jerzy Grotowski, this book is composed of a series of reflections on the Stanislavskian lineage of practitioners and related authors, in an attempt to renovate awareness of the original path traced by the Russian master and to refine certain ambiguities in contemporary training. In a new media age of image and sound, accompanied by a proliferation of new technologies and means to communicate, emphasised by the COVID-19 crisis, a classical question comes to interrogate us again: what is the essence and the principal objective of the work of the performer? Is performing art still necessary? While proposing a theoretical advancement of the discipline and an historical overview of the relevant practices, this book provides tools for a better understanding of the traditional function of the performer's practice as work on the self, for its ecological renaissance through a conscient use of trance, attention and altered states of consciousness. This book offers insight for students in Drama, Theatre, and Performance courses studying acting and performance at university"-- _cProvided by publisher.
588			_aDescription based on print version record and CIP data provided by publisher.
650		0	_aActors _xPsychology. _92679
650		0	_aActing _xPsychological aspects. _92680
650		0	_aActing _xPhilosophy. _92681
650		0	_aActing _xHistory. _92682
650		0	_aSelf. _92683
650		7	_aActing. _2fast _0(OCoLC)fst00796146 _981
650		7	_aActing _xPhilosophy. _2fast _0(OCoLC)fst00796155 _92681
650		7	_aActing _xPsychological aspects. _2fast _0(OCoLC)fst00796157 _92680
650		7	_aActors _xPsychology. _2fast _0(OCoLC)fst00796312 _92679
650		7	_aSelf. _2fast _0(OCoLC)fst01111441 _92683
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
776	0	8	_iPrint version: _aCampo, Giuliano, 1970- _tActing the essence _dAbingdon, Oxon ; New York, NY : Routledge, 2022 _z9781032001715 _w(DLC) 2021057254
942			_2lcc _cBK
999			_c3729 _d3729
999			_d3729