| 000 | 02729namna2200349 i 4500 | ||
|---|---|---|---|
| 005 | 20240528083142.0 | ||
| 020 | _a9780415636315 (pbk) | ||
| 040 | _cAE-ShPAA | ||
| 050 |
_aPN1581 _b.A45 2014 |
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| 082 |
_a791/.03 _223 |
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| 084 | _2bisacsh | ||
| 100 | 1 |
_aAllain, Paul, _eauthor. |
|
| 245 | 0 | 4 |
_aThe Routledge companion to theatre and performance / _cPaul Allain and Jen Harvie. |
| 250 | _aSecond Edition. | ||
| 264 | 1 |
_aLondon ; _aNew York : _bRoutledge, Taylor & Francis Group, _c2014. |
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| 264 | 4 | _c©2014 | |
| 300 |
_axiii, 300 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 0 | _aRoutledge companions | |
| 501 | _aP.B | ||
| 504 | _aIncludes bibliographical references (pages 269-280) and index. | ||
| 520 | _a"What is theatre? What is performance? What connects them and how are they different? How have they been shaped by events, people, companies, practices and ideas in the twentieth century and after? And where are they heading next? The Routledge Companion to Theatre and Performance offers some answers to these big questions. It provides an accessible, informative and engaging intro- duction to important people and companies, events, concepts and practices that have def ined the complementary fields of theatre and performance studies. Three easy-to-use alphabetized sections include more than 140 entries on topics and people ranging from performance artist Marina Abramovito directors Vsevolod Meyerhold and Robert Wilson, the Living Theatre's Paradise Now, the haka, multimedia performance, political protest and visual theatre. Each entry includes important historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography. The Routledge Companion to Theatre and Performance is a perfect reference guide for the keen student and the passionate theatre-goer alike. Paul Allain, Professor of Theatre and Performance at the University of Kent, has published extensively on Jerzy Grotowski, Polish and Russian theatre and intercultural performer training processes. Jen Harvie, Professor of Contemporary Theatre and Performance at Queen Mary, University of London, has published widely on relationships between contemporary performance and cultural identities, including in Theatre & the City (2009) and Fair Play - Art, Performance and Neoliberalism (2013)"-- | ||
| 650 | 0 |
_aPerforming arts _vBiography _vDictionaries. _9422 |
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| 650 | 0 | _aPerforming arts. | |
| 650 | 7 |
_aPERFORMING ARTS / General. _2bisacsh _92058 |
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| 650 | 7 |
_aPERFORMING ARTS / Reference. _2bisacsh _917460 |
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| 700 | 1 |
_aHarvie, Jen, _eauthor. _9430 |
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| 910 | _a653 | ||
| 942 | _cBK | ||
| 999 |
_c369 _d369 |
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