| 000 | 04902cam a2200793 i 4500 | ||
|---|---|---|---|
| 001 | 1294936416 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 220127t20222022enka ob 001 0 eng | ||
| 010 | _a 2021049672 | ||
| 040 |
_aDLC _beng _erda _cDLC _dYDX _dTYFRS _dN$T _dTYFRS _dOCLCO _dOCLCF _dOCLCO _dUKMGB _dUKAHL _dYDX |
||
| 015 |
_aGBC212390 _2bnb |
||
| 016 | 7 |
_a020468624 _2Uk |
|
| 019 | _a1295243395 | ||
| 020 |
_a9781000563733 _qelectronic book |
||
| 020 |
_a1000563731 _qelectronic book |
||
| 020 |
_a9781003253556 _qelectronic book |
||
| 020 |
_a1003253555 _qelectronic book |
||
| 020 |
_a9781000563726 _qelectronic book |
||
| 020 |
_a1000563723 _qelectronic book |
||
| 020 |
_z9781032182452 _qhardcover |
||
| 020 |
_z1032182458 _qhardcover |
||
| 020 |
_z9781032182407 _qpaperback |
||
| 020 |
_z1032182407 _qpaperback |
||
| 024 | 7 |
_a10.4324/9781003253556 _2doi |
|
| 029 | 1 |
_aUKMGB _b020468624 |
|
| 029 | 1 |
_aAU@ _b000070542936 |
|
| 037 |
_a9781003253556 _bTaylor & Francis |
||
| 042 | _apcc | ||
| 050 | 4 |
_aGV1588.3 _b.B82 2022 |
|
| 072 | 7 |
_aART _x060000 _2bisacsh |
|
| 072 | 7 |
_aASD _2bicssc |
|
| 082 | 0 | 4 |
_a792.8/2090904 _223 |
| 100 | 1 |
_aBrannigan, Erin, _eauthor. _92059 |
|
| 245 | 1 | 0 |
_aChoreography, visual art and experimental composition 1950s -1970s / _cErin Brannigan. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2022. |
|
| 264 | 4 | _c©2022 | |
| 300 |
_a1 online resource : _billustrations |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 501 | _aP.B | ||
| 501 | _aP.B | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 |
_a"This book traces the history of engagements between dance and the visual arts in the mid-twentieth century, and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance - breath, weight, tone, energy - informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture, and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art"-- _cProvided by publisher. |
||
| 545 | 0 | _aErin Brannigan is a dance and performance academic currently working at the University of New South Wales, Sydney, Australia of Irish political exile, convict, and settler descent. Her research explores the condition of dance and choreography within the broader field of the contemporary arts. | |
| 588 | _aDescription based on online resource; title from digital title page (viewed on April 19, 2022). | ||
| 650 | 0 |
_aArt and dance. _92060 |
|
| 650 | 0 |
_aChoreography _xHistory _y20th century. _92061 |
|
| 650 | 0 |
_aArts, Modern _y20th century. _92062 |
|
| 650 | 6 |
_aArt et danse. _92063 |
|
| 650 | 6 |
_aChorégraphie _xHistoire _y20e siècle. _92064 |
|
| 650 | 6 |
_aArts _y20e siècle. _92065 |
|
| 650 | 7 |
_aArt and dance. _2fast _0(OCoLC)fst00815392 _92060 |
|
| 650 | 7 |
_aArts, Modern. _2fast _0(OCoLC)fst00818137 _92066 |
|
| 650 | 7 |
_aChoreography. _2fast _0(OCoLC)fst00858600 _92067 |
|
| 648 | 7 |
_a1900-1999 _2fast _916 |
|
| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
| 776 | 0 | 8 |
_iPrint version: _aBrannigan, Erin. _tChoreography, visual art and experimental composition 1950s -1970s. _bFirst Edition. _dNew York : Routledge, 2022 _z9781003253556 _w(DLC) 2021049671 |
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003253556 |
| 856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3059763 |
| 856 | 4 | 0 | _uhttps://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781000563726 |
| 938 |
_aAskews and Holts Library Services _bASKH _nAH39337614 |
||
| 938 |
_aYBP Library Services _bYANK _n17823034 |
||
| 938 |
_aYBP Library Services _bYANK _n302710124 |
||
| 938 |
_aEBSCOhost _bEBSC _n3059763 |
||
| 942 | _cBK | ||
| 999 |
_c3661 _d3661 |
||