000 | 03873cam a2200529 i 4500 | ||
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001 | 1273727371 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 210911s2022 nyu o 001 0 eng | ||
010 | _a 2021043464 | ||
040 |
_aDLC _beng _erda _cDLC |
||
020 |
_a9781000543865 _q(epub) |
||
020 | _a1000543862 | ||
020 |
_a9781003183129 _q(ebook) |
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020 | _a1003183123 | ||
020 |
_z9781032023786 _q(hardback) |
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020 |
_z9781032023779 _q(paperback) |
||
029 | 1 |
_aUKMGB _b020468326 |
|
042 | _apcc | ||
050 | 0 | 0 | _aTR817 |
082 | 0 | 0 |
_a778.4 _223/eng/20211029 |
100 | 1 |
_aDowns, Jace, _d1978- _eauthor. _91978 |
|
245 | 1 | 4 |
_aThe photographer's career guide to shooting production stills for film and television / _cJace Downs ; illustrations by Pedro Rodriguez Ornelas. |
264 | 1 |
_aNew York, NY : _bRoutledge, _c2022. |
|
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
500 | _aIncludes index. | ||
501 | _aP.B | ||
501 | _aP.B | ||
505 | 0 | _aWhat is unit photography? -- How production stills are used -- Why unit photography is a great job -- So what's the catch? -- A final word about the pros and cons -- A day in the life of a unit photographer -- Production vs distribution -- Production roles and departments -- Key on set phrases -- Set etiquette, priorities and politics -- Working with "sensitive" talent -- Equipment overview -- Selecting a camera system -- Selecting lenses -- Computer hardware and software -- Travel lighting kit -- Protecting, acclimating and carrying your cameras -- Weather gear -- Insurance and pro-gear organizations -- Looking back and ahead -- How to read a call sheet -- The lay of the land -- Who and what to shoot -- Getting complete coverage -- Shooting positions on set -- Camera settings for unit photography -- Editing and image delivery -- Beyond publicity stills -- Tips for starting your career -- Who hires unit photographers -- Developing a client base -- The camera union -- Image rights -- In conclusion. | |
520 |
_a"Based on the author's real-world experience, this book provides a comprehensive guide on how to develop a professional career and client base as a unit stills photographer in the entertainment industry. Industry veteran, Jace Downs, takes readers behind the scenes as he explores production from the perspective of a unit stills photographer. Honest and entertaining, chapters cover the production environment, set etiquette, equipment, dealing with difficult talent, shooting on set, developing a client base, joining the union, and much more. Accessible to those within and outside of the entertainment industry, this book is ideal for intermediate level photographers looking to expand their skillset and client base, as well as for aspiring photographers who would like more insight into photography work in entertainment production"-- _cProvided by publisher. |
||
588 | _aDescription based on print version record and CIP data provided by publisher. | ||
650 | 0 |
_aStage photography _xVocational guidance. _91979 |
|
650 | 0 |
_aStills (Motion pictures) _xVocational guidance. _91980 |
|
650 | 0 |
_aAdvertising _xMotion pictures _xVocational guidance. _91981 |
|
650 | 0 |
_aAdvertising _xTelevision programs _xVocational guidance. _91982 |
|
653 | 0 | _aUnit photography. | |
700 | 1 |
_aRodriguez Ornelas, Pedro, _eillustrator. _91983 |
|
776 | 0 | 8 |
_iPrint version: _aDowns, Jace, 1978- _tPhotographer's career guide to shooting production stills for film and television _dNew York, NY : Routledge, 2022 _z9781032023786 _w(DLC) 2021043463 |
938 |
_aEBSCOhost _bEBSC _n3031934 |
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938 |
_aYBP Library Services _bYANK _n302696670 |
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938 |
_aYBP Library Services _bYANK _n17808742 |
||
938 |
_aYBP Library Services _bYANK _n17624270 |
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942 | _cBK | ||
999 |
_c3649 _d3649 |