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001 1090283502
008 190304t20192019enka 001 0 eng c
010 _a 2019001898
040 _aLBSOR/DLC
_beng
_erda
_cDLC
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015 _aGBB997972
_2bnb
016 7 _a019418640
_2Uk
019 _a1077617021
020 _a9780815371786
_q(hardback :
_qalk. paper)
020 _a0815371780
_q(hardback :
_qalk. paper)
020 _a9780815371793
_q(paperback :
_qalk. paper)
020 _a0815371799
_q(paperback :
_qalk. paper)
020 _z9781351245982
_q(e-book :
_qalk. paper)
020 _z9781351245968
_qebook
029 1 _aUKMGB
_b019418640
042 _apcc
050 0 0 _aPN1995.9.P7
_bD356 2019
082 0 0 _a808.2/3
_223
100 1 _aDancyger, Ken,
_eauthor.
_91894
245 1 0 _aStorytelling for film and television :
_bfrom first word to last frame /
_cKen Dancyger.
264 1 _aLondon ;
_aNew York :
_bRoutledge, Taylor & Francis,
_c2019.
264 4 _c©2019
300 _aix, 198 pages ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _a"A Focal Press book."
500 _aIncludes indexes.
501 _aP.B
501 _aP.B
520 _a"Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how directing, writing and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay; to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul. This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in the learning more about the storytelling process and is written for a global audience addressing a global industry"--
_cProvided by publisher.
505 0 _aThe narrative tools -- The technical dimension -- The creative possibilities -- Three case studies of excellence -- The directing tools -- The technical dimension -- The creative possibilities -- Three case studies of excellence -- The editing tools -- The technical dimension -- The creative possibilities -- Three case studies of excellence -- Elia Kazan's Splendor in the grass -- Sidney Lumet's Daniel -- Laszlo Nemes' Son of Saul.
650 0 _aMotion picture authorship.
_9135
650 0 _aTelevision authorship.
_91895
650 0 _aMotion pictures
_xProduction and direction.
_91896
650 0 _aTelevision
_xProduction and direction.
_91897
650 6 _aCinéma
_xArt d'écrire.
_9137
650 6 _aTélévision
_xArt d'écrire.
_91898
650 6 _aCinéma
_xProduction et réalisation.
_91899
650 6 _aTélévision
_xProduction et réalisation.
_91900
650 7 _aMotion picture authorship.
_2fast
_0(OCoLC)fst01027122
_9135
650 7 _aMotion pictures
_xProduction and direction.
_2fast
_0(OCoLC)fst01027357
_91896
650 7 _aTelevision authorship.
_2fast
_0(OCoLC)fst01146709
_91895
650 7 _aTelevision
_xProduction and direction.
_2fast
_0(OCoLC)fst01146585
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650 7 _aVertelkunst
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_9767
650 7 _aFilmkunst
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650 7 _aTelevisie
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