000 | 03483cam a2200433Mi 4500 | ||
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003 | AE-ShPAA | ||
008 | 191102s2019 nyu ob 001 0 eng d | ||
020 | _a1788502035 | ||
020 |
_a9781788502030 _q(electronic bk.) |
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040 | _cAE-ShPAA | ||
040 |
_aEBLCP _beng _epn _cEBLCP _dUKMGB _dOCLCF _dOCLCO _dOCLCQ _dN |
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050 | 4 | _aPR3091.D38 2007 | |
082 | 0 | 4 | _a792.9 |
100 | 1 |
_aDavies, Oliver Ford. _9817 |
|
245 | 1 | 0 |
_aPerforming Shakespeare : _bPreparation, Rehearsal, Performance. |
260 |
_aNew York : _bNick Hern Books, _c2019. |
||
300 | _a1 online resource (217 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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501 | _aP.B | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntro; Title page; Contents; Dedication; FOREWORD by Stanley Wells; ACKNOWLEDGEMENTS; INTRODUCTION; 1 THE ELIZABETHAN ACTOR; The Roots of Elizabethan Theatre; The Actors; The Theatres; Repertoire, Casting and Touring; Rehearsal; Voice, Gesture and Accent; Character and Personation; Boy Players; Performance; 2 SHAKESPEARE'S LANGUAGE; Introduction; Verse; The Iambic Pentameter; The Structure of the Verse; Rhyme; Monosyllables and Stichomythia; Prose; Prose into Verse; Words; Metaphor and Simile; Assonance, Onomatopoeia and Alliteration; Wordplay and Puns; Doubles and Repetitions | |
505 | 8 | _aIrony, Paradox, Ambiguity and AntithesisQuarto and Folio, Punctuation and Spelling; 3 PREPARATION; The Text; Reading the Play; Lists and Structure; Backstory and Omissions; Function in the Play; Research; Preconceptions and Labels; Physical Image; Family Relationships; Class and Money; Character; The Director; Period and Design; Memorising; Voice and Sonnets; 4 REHEARSAL; Language; Directions in the Text; Voice and Movement; Shape; Soliloquy; The Journey; Stanislavsky, Objectives and Subtext; Hamlet's Advice to the Players; Naturalism; Ambiguity, Irony and Inconsistency; Politics and Power | |
505 | 8 | _aJuliet StevensonNOTES ON SOURCES; BIBLIOGRAPHY; INDEX; About the Author; Copyright | |
505 | 8 | _aSexWomen; Comical-Tragical; Clowns and Fools; Supporting Parts; Acting on Film; Character; Imagination, Energy, Interplay and Enjoyment; The Director; Conclusion; 5 PERFORMANCE; Telling the Story; The Audience; Imagination, Energy and Interplay; Anticipation and Hindsight; Pace, Pauses, Silence and Stillness; The Controlled Dream; Bringing It All Together; APPENDIXES; 1 TWO CASE STUDIES; Duke Vincentio in Measure for Measure; Viola in Twelfth Night; 2 INTERVIEWS WITH ACTORS; Judi Dench; Ian McKellen; Harriet Walter; Josette Simon; Simon Russell Beale; Barbara Jefford; Adrian Lester | |
588 | 0 | _aPrint version record. | |
600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xDramatic production. _9818 |
600 | 1 | 7 |
_aShakespeare, William, _d1564-1616. _9819 |
650 | 0 |
_aShakespearean actors and actresses _xPerformances. _9820 |
|
650 | 7 | _aTheater. | |
655 | 4 | _aElectronic books. | |
700 | 1 |
_aWells, Stanley. _9821 |
|
776 | 0 | 8 |
_iPrint version: _aDavies, Oliver Ford. _tPerforming Shakespeare : Preparation, Rehearsal, Performance. _dNew York : Nick Hern Books, ©2019 _z9781854597816 |
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2282006 |
856 | 4 | 0 |
_3ProQuest Ebook Central _uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=5965209 |
942 |
_2lcc _cBK |
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991 | _a0007160 | ||
999 |
_c3467 _d3467 |