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050 0 0 _aPN2041.A57
_bP49 2016
082 0 0 _a791
_223
245 0 4 _aThe performance studies reader /
_cedited by Henry Bial and Sara Brady.
250 _aThird edition.
264 1 _aAbingdon, Oxon ;
_aNew York :
_bRoutledge :
_bImprint of the Taylor & Francis Group,
_c2016.
264 4 _c©2016
300 _axvi, 420 pages :
_billustrations ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
501 _aP.B
504 _aIncludes bibliographical references and index.
505 0 0 _gIntroduction /
_rHenry Bial with Sara Brady --
_tWhat is performance studies?
_tPerformance studies: the broad spectrum approach /
_rRichard Schechner --
_tThe liminal-norm /
_rJon McKenzie --
_tProfessing performances: disciplinary genealogies /
_rShannon Jackson --
_tPerformance studies /
_rBarbara Kirshenblatt-Gimblett --
_tPerformance studies: interventions and radical research /
_rDwight Conquergood --
_tSocial performance studies: discipline vs. freedom /
_rFaye C. Fei and William H. Sun --
_tWhat is performance?
_tPerformances: belief in the part one is playing /
_rErving Goffman --
_tBlurred genres: the refiguration of social thought /
_rClifford Geertz --
_tExcerpt from "Restoration of behavior" /
_rRichard Schechner --
_tWhat is performance? /
_rMarvin Carlson --
_tMarina Abramović: witnessing shadows /
_rPeggy Phelan --
_tPerformance: the blunders of Orpheus /
_rJoseph Roach --
_tRitual.
_tLiminality and communitas /
_rVictor Turner --
_t"Performance" and other analogies /
_rCatherine Bell --
_t"The blood that runs through the veins": the creation of identity and a client's experience of Cuban-American Santería Dilogún divination /
_rMichael Atwood Mason --
_tSaint Orlan: ritual as violent spectacle and cultural criticism /
_rAlyda Faber --
_tPerformative commemoratives, the personal, and the public: spontaneous shrines, emergent ritual /
_rJack Santino --
_tReenactment and relative pain /
_rRebecca Schneider --
_tPlay.
_tThe nature and significance of play as a cultural phenomenon /
_rJohan Huizinga --
_tA theory of play and fantasy /
_rGregory Bateson --
_tThe ambiguity of play: rhetorics of fate /
_rBrian Sutton-Smith --
_tJust doing /
_rAllan Kaprow --
_tAn evolutionary perspective on play, performance, and ritual /
_rBruce McConachie --
_tThe soldier cycle: Harun Farocki's Images of war (at a distance) /
_rSara Brady.
505 8 0 _tPerformativity.
_tHow to do things with words: lecture II /
_rJ.L. Austin --
_tExcerpt from "Signature event context" /
_rJacques Derrida --
_tPerformative acts and gender constitution: an essay in phenomenology and feminist theory /
_rJudith Butler --
_tIntroduction to Performativity and performance /
_rAndrew Parker and Eve Kosofsky Sedgwick --
_tTheater and anthropology, theatricality and culture /
_rJohannes Fabian --
_tUtopian performatives /
_rJill Dolan --
_tPerforming.
_tA dialogue about acting /
_rBertolt Brecht --
_tThe actor's technique /
_rJerzy Grotowski --
_tA dream of passion /
_rLee Strasberg --
_tExcerpt from The rainbow of desire /
_rAugusto Boal --
_tReconsidering Stanislavsky: feeling, feminism, and the actor /
_rRhonda Blair --
_tAddenda, phenomenology, embodiment: cyborgs and disability performance /
_rPetra Kuppers --
_tPerformance processes.
_tFirst attempts at a stylized theatre /
_rVsevolod Meyerhold --
_tThe oral artist: training and preparation /
_rIsidore Okpewho --
_tThe deep order called turbulence: the three faces of dramaturgy /
_rEugenio Barba --
_tThe archaeology of performance /
_rMary Zimmerman --
_tExcerpt from Postdramatic theatre /
_rHans-Thies Lehmann --
_tExcerpt from The emancipated spectator /
_rJacques Rancière --
_tFrom page to stage: the making of Sweet tea /
_rE. Patrick Johnson --
_tGlobal and intercultural performances.
_tPerforming ethnography /
_rVictor Turner with Edie Turner --
_tOf mimicry and man /
_rHomi K. Bhabha --
_tTranslating performance /
_rDiana Taylor --
_tInterweaving cultures in performance: different states of being in-between /
_rErika Fischer-Lichte --
_tHemispheric America in deep time /
_rJill Lane --
_tOrature and cyberture /
_rNgũgĩ Wa Thiong'O --
_tPerformance studies 3.0 /
_rHenry Bial.
520 _aSince its first publication in 2004, The Performance Studies Reader has become the leading anthology of key writings on performance studies. Now in its third edition, it continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field. These critical and theoretical contributions are joined in this edition by 16 new chapters, bringing the collection up to date with current discourse and ideas, and cross referencing exactly with Richard Schechner's Performance Studies: An Introduction. The two volumes combine perfectly to offer a unique and complete teaching resource. The Performance Studies Reader is also widely used by students and scholars around the world as a stand-alone text, offering a stimulating introduction to the crucial debates of performance studies. Each essay now includes new contextual headnotes from the editors, to introduce students to the writer and their impact on the field. Newly added to this edition are contributions from: Augusto Boal, Jill Dolan, Faye C. Fei and William H. Sun, Erika Fischer-Lichte, E. Patrick Johnson, Petra Kuppers, Hans-Thies Lehmann, Bruce McConachie, Jacques Ranciere, Joseph Roach, Rebecca Schneider, and Ngugi wa Thiong'o. The Reader provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts, and cultural studies.
650 0 _aPerforming arts.
650 0 _aTheater
_xAnthropological aspects.
_9525
650 6 _aArts du spectacle.
_9526
650 6 _aThéâtre
_xAspect anthropologique.
_9527
650 7 _aPerformance
_gKünste
_9528
650 7 _aPerforming arts.
650 7 _aPerforming arts.
650 7 _aScenisk konst.
_9529
650 7 _aSchauspielkunst
_9269
650 7 _aTeaterantropologi.
_9530
650 7 _aTheater
_xAnthropological aspects.
_9525
650 7 _aTheater
_xAnthropological aspects.
_9525
650 1 7 _aUitvoerende kunsten.
_9531
655 7 _aHandboeken (vorm)
_9532
700 1 _aBial, Henry,
_d1970-
_eeditor.
_9533
700 1 _aBrady, Sara,
_eeditor.
_9534
942 _2lcc
_cBK
991 _a0007228
999 _c3429
_d3429