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008 140830s2014 enk ob 000 0 eng d
020 _a1780010338
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020 _a9781780010335
_qelectronic book
020 _z1854599674
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020 _z9781854599674
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040 _aEBLCP
_beng
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050 4 _aPN2071.R45
_bA44 2014
082 0 4 _a792.028
_223
100 1 _aAlfreds, Mike
_eauthor.
_9458
245 1 0 _aDifferent every night :
_bfreeing the actor /
_cMike Alfreds.
264 1 _aLondon :
_bNick Hern Books,
_c2014.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _a"First published in Great Britain in 2007. This ebook edition first published 2014."--verso.
501 _aP.B
504 _aIncludes bibliographical references (pages 359-362).
505 0 _aCover; Title page; Contents; DEDICATION; ACKNOWLEDGEMENTS; EPIGRAPH; FOREWORD by Pam Ferris; A PRACTICAL GUIDE; HEALTH AND SAFETY WARNINGS; 1 INTRODUCTIONS; CURRICULUM VITAE; THE PRIMACY OF THE ACTOR; PERMANENT TRAINING; 2 CONCEPTS; PROCESS V. RESULTS; WANT! DO! FEEL!; Given Circumstances; Feel: Emotion; The Hierarchy of Actions and Objectives; Obstacles; Beats; Do: Actions; Counter-Objectives; Super-Objectives; Through-Lines; Scene Objectives; Want: Objectives; 3 PREPARATION; THE PURPOSE OF PREPARATION; PREPARING THE TEXT; A Pyramid of Titles; Actions; Units; Sections; Titling the Acts.
505 8 _aBRINGING THE STRANDS TOGETHERPRODUCTION; PERFORMANCE; 5 UNCLOGGING THE WORK; Clearing the Decks for Action; Rigour; Directors' Fears; Actors' Fears; Actors and Directors; Bad Behaviour; 6 CODA: SUMMING UP; RECAPITULATION; GLOSSARY; FURTHER READING; ABOUT THE AUTHOR; COPYRIGHT INFORMATION.
505 8 _aDeconstructing the TextPREPARING THE REHEARSALS; CASTING; 4 THE WORK: REHEARSAL, PRODUCTION, PERFORMANCE; REHEARSAL: SOME BASIC PRINCIPLES; STRAND ONE: THE TEXT; Logic Text; Stage Four: Points of Concentration; Stage Three: Feeding-In; Stage Two: Text -- No Text -- Text; Stage One: Actioning; STRAND TWO: CHARACTER; The Starting Point; The Actor and the Role; Techniques Towards Characterisation; Character Development; The Character Lists; STRAND THREE: THE WORLD OF THE PLAY; Practice: A Handful of Dust; Marriage; Self-Blocking; Starting Points; Discovering New Worlds.
520 _a"A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors and directors. Different Every Night is the culmination of a lifetime of work in the theatre, the most complete rehearsal methodology in print since Stanislavsky. It offers a vital masterclass for actors and directors, full of sound practical advice and guidance, and is packed with techniques for bringing the text to life and keeping it alive - both in rehearsal and performance. ''Most of what I am as an actress I owe to Mike Alfreds. He gave me the language and the tools I needed for my craft."--Publisher's description.
588 1 _aDescription based on resource, viewed September 30, 2020.
600 1 0 _aChekhov, Anton Pavlovich,
_d1860-1904
_xDramatic production.
_9459
600 1 7 _aChekhov, Anton Pavlovich,
_d1860-1904.
_9460
650 0 _aActing.
_981
650 0 _aTheater rehearsals.
_9242
650 0 _aTheater
_xProduction and direction
_vCase studies.
_9461
650 6 _aArt dramatique.
_986
650 6 _aRépétitions (Théâtre)
_9243
650 7 _aacting.
_981
650 7 _aActing.
_981
650 7 _aDarstellendes Spiel
_9462
650 7 _aPERFORMING ARTS
_xTheater
_xGeneral.
_9463
650 7 _aTheater rehearsals.
_9242
650 7 _aTheater
_xProduction and direction.
_9172
650 7 _aTheater.
650 7 _aTheaterspiel
_9131
655 4 _aElectronic books.
655 7 _aCase studies.
_9464
776 0 8 _iPrint version:
_aAlfreds, Mike.
_tDifferent Every Night : Freeing the Actor.
_dNew York : Nick Hern Books, ©2014
_z9781854599674
856 4 _3Excerpts
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856 4 0 _3OverDrive
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856 4 0 _3ProQuest Ebook Central
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