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020			_a9781315779010
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040			_aDLC _beng _erda _cDLC _dYDX _dUKMGB _dYDXCP _dCDX _dNYP _dPUL _dOCLCF _dCHVBK _dSTF _dTOH _dBDX _dERL _dOCLCQ _dOCLCO _dOCLCQ _dOCLCO _dUKUSW _dOCLCA _dOCLCQ _dNLE _dMM9 _dOCLCQ _dOCLCO
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050	0	0	_aPN1581 _b.A45 2014
082	0	0	_a791/.03 _223
084			_aPER000000 _aPER009000 _aPER011000 _2bisacsh
100	1		_aAllain, Paul, _eauthor. _9421
245	1	4	_aThe Routledge companion to theatre and performance / _cPaul Allain and Jen Harvie.
250			_aSecond edition.
264		1	_aLondon ; _aNew York : _bRoutledge, Taylor & Francis Group, _c2014.
264		4	_c©2014
300			_axiii, 300 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aRoutledge companions
501			_aP.B
504			_aIncludes bibliographical references (pages 269-280) and index.
505	0		_a1. People and companies -- 2. Events -- 3. Concepts and practices.
506			_aDawsonERA allows 325 sessions each year (05.10.2017).
520			_a"What is theatre? What is performance? What connects them and how are they different? How have they been shaped by events, people, companies, practices and ideas in the twentieth century and after? And where are they heading next? The Routledge Companion to Theatre and Performance offers some answers to these big questions. It provides an accessible, informative and engaging intro- duction to important people and companies, events, concepts and practices that have def ined the complementary fields of theatre and performance studies. Three easy-to-use alphabetized sections include more than 140 entries on topics and people ranging from performance artist Marina Abramovito directors Vsevolod Meyerhold and Robert Wilson, the Living Theatre's Paradise Now, the haka, multimedia performance, political protest and visual theatre. Each entry includes important historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography. The Routledge Companion to Theatre and Performance is a perfect reference guide for the keen student and the passionate theatre-goer alike. Paul Allain, Professor of Theatre and Performance at the University of Kent, has published extensively on Jerzy Grotowski, Polish and Russian theatre and intercultural performer training processes. Jen Harvie, Professor of Contemporary Theatre and Performance at Queen Mary, University of London, has published widely on relationships between contemporary performance and cultural identities, including in Theatre & the City (2009) and Fair Play - Art, Performance and Neoliberalism (2013)"-- _cProvided by publisher.
650		0	_aPerforming arts _vBiography _vDictionaries. _9422
650		0	_aPerforming arts.
650		6	_aArts du spectacle. _9423
650		7	_aDarstellende Kunst _9424
650		7	_aPerformance _gKünste _9425
650		7	_aPerformancekünstler _9426
650		7	_aPerforming arts _xBiography. _9427
650		7	_aPERFORMING ARTS _xGeneral.
650		7	_aPERFORMING ARTS _xReference. _9428
650		7	_aPerforming arts.
650		7	_aTanz _9429
650		7	_aTheater
655		7	_aDictionaries.
700	1		_aHarvie, Jen, _eauthor. _9430
830		0	_aRoutledge companions. _9431
856	4	1	_3Dawsonera _uhttp://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315779010
856	4	1	_uhttp://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315779010 _zView this book online, via DawsonERA, both on- and off-campus
942			_2lcc _cBK
991			_a0007226
999			_c3419 _d3419