000 05044namna22003375i 4500
005 20240528083131.0
020 _a9781350051034
_q(hardcover)
040 _cAE-ShPAA
050 _aPN2570 .N53 2019
082 0 4 _a792.022
_223
100 1 _aNibbelink, Liesbeth Groot,
_eauthor.
_917247
245 1 0 _aNomadic theatre :
_bmobilizing theory and practice on the European stage /
_cLiesbeth Groot Nibbelink.
264 1 _aLondon ;
_aNew York, NY :
_bMethuen Drama,
_c2019.
264 4 _c©2019
300 _axii, 211 pages :
_billustrations ;
_c23 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aThinking through theatre
501 _aP.B
504 _aIncludes bibliographical references (pages 193-205) and index (pages 206-211)
505 0 _aList of figures -- Acknowledgments. 1 Introduction: deterritorializing the stage : Primary coordinates -- On the move -- Theatre, technology, mobility -- A note on participation -- Theatre, performance, movement -- Deterritorialization -- Pause -- Deleuze's nomads -- Nomadic theatre: a concept, a toolbox -- Theory as tool: how to do things with Deleuze? -- Spatial dramaturgy -- Points are relays on a trajectory: chapter overview -- Playgrounding. 2 Encounter: meeting multiplicity in Dries Verhoeven's "No Man's Land" : Of horses and wasps -- The rhythms of a smooth stage -- Mind the gap -- Performance installations -- Staging the spectator -- Walking with Abderraghman -- Triads and constellations -- A problem of referentiality -- This is not my voice: a problem of referentiality, part 2 -- Fractured reciprocity -- Building performance -- Expanding spectatorship. 3 Displacement: the situated pathways of Rimini Protokoll : Urban moves -- The city as stage -- Theatre goes global -- The production of space -- Performing locality -- Navigating representation -- Outsourced performance -- Parallax. 4 Cartographies: "Trail Tracking" and map-making as staging strategy : You are here -- Cartography: fifth principle of the rhizome -- The theatre of cartography -- Performing cartography -- Charting the virtual -- Navigational spaces -- Personal velocity -- Material maps -- Thinking subjectivity through space: politics of location -- Witnessed presence -- The cartography of theatre. 5 Diagrams: staging proximity in Ontroerend Goed's "The Smile Off Your Face" : A nomad does not necessarily move -- A wheelchair's thresholds -- Pleats of proximity -- Event/situation -- Into the laboratory -- Thinking through the diagram -- The grid of capital -- Distributions of the sensible -- A spectator in the dark -- The dramaturgy of proximity -- A theatre of folds. 6 Architextures: the rhizomatic gameboards of Signa's "The Ruby Town Oracle" : Drifting/dwelling -- Borderzones -- Narrative architecture and environmental storytelling -- Architectural performances -- Evocative spaces -- Procedural passageways -- Playing at the limits -- The entirety of the map -- Tissue, traces, tracks. 7 Distributed performance: epilogue : Pop-up stores -- Trajectories of the stage -- Folds of spectating -- Lived space and diffractive reading -- Staging connections -- Procedural dramaturgy/when atitude becomes form -- Thinking through practice -- Thresholds of the imagination. Notes -- Bibliography -- Index.
520 _aFluid stages, morphing theater spaces, ambulant spectators, and occasionally disappearing performers: these are some of the key ingredients of nomadic theater. They are also theater's response to life in the 21st century, which is increasingly marked by the mobility of people, information, technologies, and services. While examining how contemporary theater exposes and queries this mobile turn in society, the author introduces the concepts of nomadic theater as a vital tool for analyzing how movement and mobility affect and implicate the theater, how this makes way for local operations and lived spaces, and how physical movements are stepping stones for theorizing mobility at large. This book focuses on ambulatory performances and performative installations, asking how they stage movement and in turn mobilize the stage. By analyzing the work of leading European artists including Rimini Protokoll, Dries Verhoeven, Ontroerend Goed, and Signa, this book demonstrates that mobile performances radically rethink the conditions of the stage and alter our understanding of spectatorship. This book instigates connections across disciplinary fields and feeds dramaturgical analysis with insights derived from media theory, urban philosophy, cartography, architecture, and game studies. It illustrates how theater, as a material form of thought, creatively and critically engages with mobile existence both on the stage and in society.
650 0 _aTheater and society
_zEurope.
_917248
650 0 _aTraveling theater
_zEurope.
_917249
650 7 _aTheater and society.
_2fast
650 7 _aTraveling theater.
_2fast
_917250
651 7 _aEurope.
_2fast
910 _a537
942 _cBK
999 _c275
_d275