000			03980namna22004458i 4500
005			20240528083456.0
008			201121s2021 nyu 001 0 eng
010			_a 2020052441
020			_a9780367497682 _q(hardback)
020			_a9780367500726 _q(paperback)
020			_z9781003048671 _q(ebook)
040			_cAE-ShPAA
040			_aAE-ShPAA _aLBSOR/DLC _beng _erda _cAE-ShPAA
042			_apcc
050			_aPN1995.9.A26 _bS76 2021
082			_a791.4302/8 _223
100	1		_aStone, Peter Allen, _eauthor. _920863
245	1	0	_aActing for the camera : _bback to one / _cPeter Allen Stone.
263			_a2105
264		1	_aNew York, NY : _bRoutledge, _c2021.
300			_apages cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
501			_aP.B
505	0		_aIntroduction: Back to one -- Preparation -- Breaking down the script : the value of beats -- Given circumstances & relationships : bring life on -- Objective : make it about the other character -- Actions : river vs pond acting -- Obstacles : character problems are actor gifts -- Character notebook : mapping out the role -- Acting for the camera -- Frame : play the piece of pie -- Size : scaling the performance -- Action : what do I do now? -- Art of the reaction : help the editor make you look great -- Hitting the mark : skill vs talent -- Physical continuity : acting with props -- Voice : play the distance -- Camera time : work with the camera -- The final beat : focal shifts and cutting points -- Auditioning -- Learn from the pros -- Ten audition tips to help you win -- Industry interviews -- Today's actor : production skills -- Studio space : find it now -- Lights, camera, & sound : building an affordable studio -- Filming : slating, intimacy, props, the reader -- Editing & submitting : it's an audition not a movie -- Final thoughts.
520			_a"Acting for the Camera: Back to One is a "how to" book with simple, practical steps to achieve a professional performance on camera. The book focuses on four distinct areas: how to prepare the character and bring them to life, how to execute the technical responsibilities that will assist the editor in creating the on-camera performance in post-production, tips from industry professionals, and how to create effective self-tape auditions. Part One: The Character's World is packed with tools to analyze the script and fully prepare the character before arriving on set. Part Two: The Actor's World focuses on developing technical acting skills for the camera that assist the pre- and post-production teams to create a dynamic on-screen performance. In Part Three: The Professional World industry professionals provide tips from inside the Film/TV audition room and how to navigate a career in the acting business. The final section, Part Four: Self-Tape Like a Pro, outlines how to build a self-tape studio in the privacy of your own home and submit high-quality self-tape auditions that will help you stand out from the competition. Written for students enrolled in Acting for the Camera courses, Acting for the Camera: Back to One explores techniques that can be practiced and mastered by actors of all levels, from the moment they audition for the part through to when they hear that director call "cut!""-- _cProvided by publisher.
650		0	_aActing _xAuditions.
650		0	_aActing _xVocational guidance.
650		0	_aMotion picture acting.
650		0	_aTelevision acting.
776	0	8	_iOnline version: _aStone, Peter Allen. _tActing for the camera _dNew York, NY : Routledge, 2021 _z9781003048671 _w(DLC) 2020052442
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
910			_a21828356
925	0		_aacquire _b1 shelf copy _xpolicy default
942			_cBK
955			_wxk14 2020-12-03 (TW Situational) to CIP
985			_aLBSORCIP _d2020-12-21
999			_c2125 _d2125