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008 140716s2011 ilua o 000 u eng d
020 _z0300109326
_zKathleen_collection
020 _z0300136323
020 _z0300138083
_q(Sekundärausgabe)
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020 _z9780300136326
020 _z9780300138085
_q(Sekundärausgabe)
040 _cAE-ShPAA
040 _aAE-ShPAA
_aHEBIS
_bger
_erakwb
_cAE-ShPAA
_dOCLCQ
100 1 _aElliott, Martha.
_4aut
_920508
245 1 0 _aSinging in style
_ba guide to vocal performance practices
_cMartha Elliott
260 _aUrbana
_bUniversity of Illinois Pr.
_c2011
300 _a1 online resource (xii, 356 Seiten)
_bIllustrationen
336 _aText
_btxt
_2rdacontent/ger
337 _aComputermedien
_bc
_2rdamedia/ger
338 _aOnline-Ressource
_bcr
_2rdacarrier/ger
501 _aP.B
504 _aLiteraturverz. S. 307-346
520 _aThe first historical overview of vocal performance practice and style ever published, Singing In Style provides an introduction to how such issues as ornamentation, vibrato, rubato, portamento, articulation, tempo, language, and accompaniment with period instruments have been handled since the seventeenth century. Each chapter presents a historical period and gives background information on the singers and composers, the vocal repertoire, and the stylistic conventions of that time. Specific repertoire examples are discussed as well, to show how to use the music itself as a context for making stylistic choices. Each chapter also has an extensive reference list arranged by topic, so the interested reader can pursue a particular subject in more depth. Covering the Baroque period to the present, Elliott casts a wide net, bringing together information from historical treatises, personal accounts from composers, performers, historians, critics, and current scholarly commentary into one convenient handbook for the student and the amateur and professional performer who want to learn more about how vocal works were sung in their day.
650 7 _aGesang
_91265
650 7 _aMusikalische Aufführungspraxis
_920509
655 7 _aOnline-Publikation.
_920510
911 _aKathleen_collection
942 _cBK
999 _c1976
_d1976