000 | 02639namna2200409Mi 4500 | ||
---|---|---|---|
008 | 190401t20192018enka e b 001 0 eng | ||
020 | _a1781259364 | ||
020 | _a9781781259368 | ||
040 | _cAE-ShPAA | ||
040 |
_aAE-ShPAA _beng _erda _cAE-ShPAA _dOCLCO _dOCLCF _dYDX _dUKMGB _dBDF |
||
050 | 4 |
_aPN2596.L7 _bR674 2019 |
|
082 | 0 | 4 |
_a792.09421 _223 |
100 | 1 |
_aRosenthal, Daniel, _d1971- _920394 |
|
245 | 0 | 0 |
_aDramatic exchanges : _bthe lives & letters of the National Theatre / _cselected and edited by Daniel Rosenthal ; foreword by Dame Helen Mirren. |
246 | 3 | 0 | _aLives & letters of the National Theatre. |
250 | _aPaperback edition. | ||
264 | 1 |
_aLondon : _bProfile Books, _c2019. |
|
264 | 4 | _c©2018. | |
300 |
_axiii, 401 pages : _billustrations (some colour) ; _c24 cm. |
||
336 |
_astill image _bsti _2rdacontent |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
||
500 | _aFirst published in 2018. | ||
501 | _aP.B | ||
504 | _aIncludes bibliographical references and index. | ||
520 | _aThere has been always as much drama offstage as on at the National Theatre, and much of it is to be found in the letters, telegrams, scribbled notes and colourful postcards of its main players. - What drove Laurence Olivier to confess: 'The foolishness of my position starts to obsess me'?- Why did Maggie Smith write: 'I am absolutely heartbroken by your decision'?- What prompted Judi Dench to ask: 'Can't you write me a musical so that I can sit on a chair in a fur hat and nothing else and sing RUDE songs?' This book brings together for the first time some of the most inspiring, dramatic and amusing letters from the life of Britain's most beloved theatre: Laurence Olivier's gracious rejection letters, Peter Hall's combative memos, Helen Mirren's impassioned defence of theatrical innovation, fantastical good luck missives and long conspiratorial letters. Together, they reveal the stories behind some of the most lavish, triumphant, daring and disastrous productions in the theatre's history, including Amadeus, Romans in Britain, Laurence Olivier's Othello, Closer, The History Boys and The Curious Incident of the Dog in the Night-Time. | ||
610 | 2 | 0 |
_aNational Theatre (Great Britain) _xHistory _vSources. _920395 |
610 | 2 | 7 |
_aNational Theatre (Great Britain) _9612 |
610 | 2 | 7 |
_aRoyal national theatre (Londres) _920396 |
655 | 7 | _aHistory. | |
655 | 7 |
_aSources. _96204 |
|
700 | 1 |
_aMirren, Dame Helen, _ewriter of foreword. _920397 |
|
700 | 1 |
_aRosenthal, Daniel, _d1971- _eeditor. _920394 |
|
910 | _aAE-Shpaa376 | ||
942 | _cBK | ||
999 |
_c1923 _d1923 |