000 05690namna2200553Mi 4500
008 201023s2020 enkab ob 101 0 eng d
020 _a1472587898
_q(hardback)
020 _a1472587901
_q(paperback)
020 _a147258791X
_a1472587871
020 _a9781472587879
_q(print)
020 _a9781472587886
_q(print)
020 _a9781472587893
_q(print)
020 _a9781472587909
_q(paperback)
020 _a9781472587916
_a147258788X
_q(ebook)
020 _q(print)
020 _q(print)
040 _cAE-ShPAA
040 _aAE-ShPAA
_beng
_erda
_cAE-ShPAA
_dOCLCO
_dOCLCF
050 4 _aPN2062
_b.S64 2017eb
082 0 4 _a792.02/8
_223
245 0 0 _aStanislavsky in the world :
_bthe system and its transformations across continents /
_cedited by Jonathan Pitches and Stefan Aquilina.
264 1 _aLondon, England :
_bBloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc,
_c2020.
264 2 _aLondon, England :
_bBloomsbury Publishing,
_c2020
300 _a1 online resource (xiii, 461 pages) :
_billustrations, maps.
336 _atext
_2rdacontent
337 _aelectronic
_2isbdmedia
338 _aonline resource
_2rdacarrier
501 _aP.B
504 _aIncludes bibliographical references and index.
505 0 _aCONTEXT 1. Well-trodden Paths : US, UK, Russian and Soviet Perspectives on Stanislavsky's Transmission / Stefan Aquilina ; CONTEXT 2. A System for all Nations? Stanislavsky in the World / Jonathan Pitches -- PART 1: EUROPE. Introduction by Stefan Aquilina ; Three Periods of Stanislavsky in Italy / Franco Ruffini ; Stanislavsky and French Theatre : Selected Affinities / Marie-Christine Autant-Mathieu ; Between Nationalism and Ideology : Stanislavsky in Lithuania / Ina Pukelytçe ; An Amateur Processing of the System : Stanislavsky in Malta / Stefan Aquilina ; Moments of Transition : Stanislavsky in Greece / Maria Gaitanidi -- PART 2: CHINA AND JAPAN. Introduction by Jonathan Pitches ; Towards a Chinese School of Performance and Directing : Jiao Juyin / Siyuan Liu ; Stanislavsky with Chinese Characteristics : How the System was Introduced into China / Jonathan Pitches and Ruru Li ; A Producer's Perspective : Stanislavsky in Contemporary Japan / Kaori Nakayama -- PART 3: LATIN AMERICA. Introduction by Stefan Aquilina ; Stanislavsky in Brazil : Territories and Frontiers / Arlete Cavaliere ; Stanislavsky's Legacy in Cuba / Yana Elsa Brugal ; A Teacher's Perspective : Stanislavsky at the Escuela de Teatro de Buenos Aires in Argentina / Raúl Serrano -- PART 4: AFRICA. Introduction by Stefan Aquilina ; Stanislavsky in Nigeria : Convergences and Counterpoints in Actor Training and Practice / Kene Igweonu ; Stanislavsky in Tunisian Theatre: a Heritage in Progress / Moez Mrabet ; A Director's Perspective: Stanislavsky in South Africa / David Peimer -- PART 5: AUSTRALASIA. Introduction by Jonathan Pitches ; Theatrical Bowerbirds : Received Stanislavsky and the Tyranny of Distance in Australian Actor Training / Ian Maxwell ; Acting Idealism and Emotions : Hayes Gordon, The Ensemble Theatre and Acting Studios in Australia / Peta Tait ; Stanislavsky in Aotearoa : The System Experienced through the Mêaaori World / Hilary Halba -- PART 6: INDIA AND BANGLADESH. Introduction by Jonathan Pitches ; Between Stanislavsky and Bharata : Actor Training at the National School of Drama in New Delhi / JooYeoul Ryu with Stefan Aquilina ; Stanislavsky in the Modern Theatre of Bangladesh : A Mapping of Postcolonial Appropriation and Assimilation / Syed Jamil Ahmed.
520 _a"Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before"--
_cProvided by publisher.
532 0 _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
600 1 0 _aStanislavsky, Konstantin,
_d1863-1938
_xCriticism and interpretation.
_91106
600 1 7 _aStanislavsky, Konstantin,
_d1863-1938.
650 0 _aMethod acting
_xHistory
_93132
650 7 _aIndividual actors & performers
_920368
650 7 _aMethod acting
655 0 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
655 7 _aHistory.
700 1 _aAquilina, Stefan,
_eeditor.
_920369
700 1 _aPitches, Jonathan,
_d1968-
_eeditor.
776 0 8 _iPrint version:
_w(DLC) 2017000052
_w(OCoLC)957138630
_z1
856 4 0 _3Abstract with links to full text
_uhttps://doi.org/10.5040/9781472587916?locatt=label:secondary_bloomsburyCollections
910 _aAE-Shpaa369
911 _a1472587871
942 _cBK
942 _cBK
999 _c1917
_d1917