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020 _a1315621681
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020 _a1317220676
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020 _a1317220684
_q(electronic bk.)
020 _a1317220692
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020 _a9780367737009
020 _a9781315621685
020 _a9781317220671
020 _a9781317220688
_q(electronic bk.)
020 _a9781317220695
_q(electronic bk.)
040 _cAE-ShPAA
040 _aAE-ShPAA
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041 1 _aeng
_hrus
050 4 _aPN2061
_b.D443 2016
082 0 4 _a792.02/8
_223
100 1 _aDemidov, N. V.
_q(Nikolaĭ Vasilʹevich),
_d1884-1953,
_eauthor.
_920357
240 1 0 _aWorks.
_kSelections.
_lEnglish
245 1 0 _aNikolai Demidov :
_bbecoming an actor-creator /
_cedited by Andrei Malaev-Babel and Margarita Laskina ; translated by Andrei Malaev-Babel with Alexander Rojavin and Sarah Lillibridge.
264 1 _aMilton Park, Abingdon, Oxon ;
_aNew York :
_bRoutledge,
_c2016.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
501 _aP.B
504 _aIncludes bibliographical references and index.
505 0 _aNikolai Demidov- Front Cover; Nikolai Demidov; Title Page; Copyright Page; Contents; List of Figures; Acknowledgements; A Note on the Text; NIKOLAI DEMIDOV: A CREATIVE BIOGRAPHY (From the Editors); Notes; BOOK ONE: THE ART OF THE ACTOR -- ITS PRESENT AND FUTURE; Introduction; Note; Chapter 1: Reasons for the Fall of the Art of the Actor; Enthusiasm for a Production; The Director: His Excessive Power and Ignorance; The Director: Time Pressures and Other Objective Reasons; The Director: Subjective Reasons (Dilettantism, Professional Craftsmanship, Charlatanism).
505 8 _a"Types" of TheatresRationality and Imperativity in the Actor's Technique; Will and Imperativity; BOOK THREE: THE ART OF LIVING ONSTAGE -- FROM A THEATRE TEACHER'S LABORATORY; Preliminary Notes (From The Author); PART I: The Significance of the Actor's Creative Experiencing: Paths Leading Toward It; Chapter 1: Initial Steps Toward Mastering the Art of the Actor's Experiencing; First Attempts to Create the Science of Actors' Art; Two Paths Toward Experiencing, Indicated by Stanislavsky; Chapter 2: New Paths; Departing from the Principle Of "Elements."
505 8 _aChapter 8: The Path to Becoming an ArtistThe Path of Technique; "Broken Outer Shell"; Conclusion; Note; BOOK TWO: ACTOR TYPES; Actor Types; Rationality and the Stage; Emotional Attributes: Their "Structure" and Development. Perception and Reaction; Emotionality and Its Various Forms; Rationality (Reasoning): A Lack of Emotional Development; Process and Result; How Depictors Are Made (A Necessary Elaboration); Those Who Depict and Those Who Live; Distinct Qualities of the Four Actor Types; "Ailments" and Weaknesses (Shortcomings) of the Four Actor Types; Complex Types; The "Types" in Directing.
505 8 _aOn the Actor's Responsibility and HeroismNote; Chapter 2: Truth; Beauty Is not Relative; Truth and Naturalism; More about Naturality and Naturalism; Notes; Chapter 3: Truth, As It Is Commonly Understood (Pseudoexperiencing); The Truth Isn't Limited only to Emotion: Directly Summoning Emotions; Depicting Emotions ("Acting Emotions"); Earthlight; "Buzzzzzz . . ."; A Motor Storm; "Verisimilitude"; Shallow, Verisimilar Idle Talk (Deceptive Simplicity); Notes; Chapter 4: The Intangibility of Truth; Why Is it so Difficult to Find Truth?; Chapter 5: On Artistry and the Artist; On Perfection.
505 8 _aThe Life-Giving OnenessThe Liveliness of a Work of Art; A Living Work of Art in Theatre; A Work of Art and Eternal Ideas; Note; Chapter 6: The Artist: His Chief Qualities; Giftedness; The Ability to Marvel and Venerate; The Soul's Depth, Capacity; The Ideal; The Mission; The Enthusiasm of Youth; The Enthusiasm of Maturity; A Special Mind; Talent; Little Something about Genius; Notes; Chapter 7: The Path of the Artist; Subconscious, Reflexes, Automatic Functions; Technique; Actor's Psycho-technique; How Did Technique Emerge in Theatre?; The Actor's Automatic Functions; Note.
520 8 _aAt the time of his death, Stanislavsky considered Nikolai Demidov to be 'his only student, who understands the System'. Demidov's incredibly forward-thinking processes not only continued his teacher's pioneering work, but also solved the problems of an actor's creativity that Stanislavsky never conquered. Despite being one of the original teachers of the Stanislavski system, Demidov's name was little known either in his native Russia or the wider world until the turn of the 21st Century. Since then, his extensive works have been published in Russian but are yet to find their way to the English-speaking world. His sophisticated psychological techniques, stimulation of creativity, and methods of developing the actors themselves are now gaining increasing recognition. This book brings together Demidov's five volumes on actor training. Supplementary materials, including transcriptions of Demidov's classes, and notes and correspondence from the author make this the definitive collection on one of Russian theatre's most important figures.
546 _aTranslated from the Russian.
650 0 _aActing
650 0 _aTheater
_xProduction and direction
650 7 _aActing
650 7 _aPERFORMING ARTS
_xTheater
_xGeneral
650 7 _aTheater
_xProduction and direction
655 0 _aElectronic books.
655 4 _aElectronic books.
700 1 _aLaskina, M. N.
_q(Margarita Nikolaevna),
_eeditor.
_920358
700 1 _aMalaev-Babel, Andrei,
_eeditor,
_etranslator.
_920359
776 0 8 _iPrint version record:
_aDemidov, N.V. (Nikolaĭ Vasilʹevich), 1884-1953.
_sWorks. Selections. English.
_tNikolai Demidov.
_dMilton Park, Abingdon, Oxon ; New York : Routledge, 2016
_z9781138776494
_w(DLC) 2015044135
_w(OCoLC)912378715
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1271611
856 4 0 _3ProQuest Ebook Central
_uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=4578918
856 4 0 _3Taylor & Francis
_uhttp://www.routledgehandbooks.com/doi/10.4324/9781315621685
856 4 0 _3Taylor & Francis
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856 4 0 _3Taylor & Francis
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_zConnect to Taylor and Francis e-book
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910 _aAE-Shpaa363
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