| 000 | 07556namna22005051i 4500 | ||
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| 008 | 201020s2021 enka ob 001 0 eng d | ||
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_a1351120123 _a9780367542634 _qelectronic book |
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_a135112014X _a9780815359654 _qelectronic book |
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| 020 |
_a9781351120128 _a9781351120135 _q(electronic bk.) |
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| 020 |
_a9781351120142 _qelectronic book |
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| 020 | _qelectronic book | ||
| 020 | _qhardcover | ||
| 020 | _qpaperback | ||
| 040 | _cAE-ShPAA | ||
| 040 |
_aAE-ShPAA _beng _erda _epn _cAE-ShPAA _dOCLCO _dYDXIT _dOCLCF _dOCLCO _dORU _dN$T _dOCL |
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| 050 | 4 |
_aPN2049 _b.R68 2021 |
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| 082 | 0 | 4 |
_a792.01 _223 |
| 245 | 0 | 4 |
_aThe Routledge companion to applied performance. _nVolume one, _pMainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand / _cedited by Tim Prentki and Ananda Breed. |
| 246 | 3 | 0 | _aApplied performance |
| 246 | 3 | 0 | _aCompanion to applied performance |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
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| 300 |
_axxiv, 447 pages : _billustrations (black and white). |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aRoutledge theatre and performance companions | |
| 501 | _aP.B | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction to Volume One / Tim Prentki and Ananda Breed -- Part I Australia and New Zealand -- Introduction to Part I: Considering the ethics of representation in applied theatre / Helen Cahill and Peter O'Connor -- Chapter 1 Identifying and understanding the notion of quality within an applied theatre project designed to playfully engage people living with dementia / Julie Dunn and Michael Balfour -- Chapter 2 Repairing the evil: Staging Puppet Antigone (2017) at Auckland Prison / Rand Hazou -- Chapter 3 Taurima Vibes: Economies of manaakitanga and care in Aotearoa New Zealand / Molly Mullen and Börni Te Rongopai Tukiwaho -- Chapter 4 Small acts at the margins: Making theatre work at cross-cultural intersections / Linden Wilkinson -- Chapter 5 The art of listening in prison: Creating audio drama with incarcerated women / Sarah Woodland -- Part II The Balkans -- Introduction to Part II and III: Memory, identity, and the (ab)use of representation / Kirsten Sadeghi-Yekta and Darko LukiÄ -- Chapter 6 Performing otherness: the representation of invisible communities in post-conflict and post-communist societies: Croatian example / Darko LukiÄ -- Chapter 7 The bridge to hope: Applied theatre in post-war Bosnia and Herzegovina / Sead ÄuliÄ -- Chapter 8 Theatre against violence, action in classrooms / Ines Å kufliÄ Horvat, Maja Sviben, and Nina Horvat -- Chapter 9 Interview with Vladimir KruÅ¡iÄ: Theatre and drama in education / Darko LukiÄ -- Chapter 10 In search of polyphonic concepts of participatory theatre and art for social change: Almost half a century of engagement / Ljubica Beljanski-RistiÄ -- Chapter 11 Giving voice to the voiceless: Raising awareness and spurring debate on the Homeland War (1991-1995) in Croatian theatre / Nikolina Židek -- Part III North America -- Chapter 12 Examining the ethics of research-based theatre through Contact! Unload / George Belliveau, Susan Cox, Jennica Nichols, Graham W. Lea and Christopher Cook -- Chapter 13 We are here: Glyphing a re-creation story through waterways, bloodlines constellations / Jill Carter -- Chapter 14 Applied performance practices of therapeutic clowns: A curated conversation with Helen Donnelly / Julia Gray, Jenny Setchell, and Helen Donnelly -- Chapter 15 Playback Theater conductor as ritual guide: The artful and sensitive job of extracting personal stories / Hannah Fox -- Chapter 16 Theatre to address social justice issues with gatekeepers in Canada / Lauren Jerke and Warwick Dobson -- Chapter 17 Tensions of engagement: Oscillating between distance and implication / Yasmine Kandil -- Chapter 18 Questioning social justice: A dialogue on performance, activism and being in-between / Asif Majid and Elena Velasco -- Chapter 19 Timely homecomings / Carrie MacLeod -- Chapter 20 The arrivals legacy process: Reviving Ancestral stories of recovery and return / Diane Roberts -- Chapter 21 Applying Hamilton / Hana Worthen -- Part IV Latin America -- Introduction to Part IV: Applied performance in Latin America / Paloma Carpio and Rodrigo Benza -- Chapter 22 The body, women, and performance art in Latin America / Josefina Alcázar -- Chapter 23 Dance as a tool for the construction of peace and identity / Ana Carolina Ãvila -- Chapter 24 We play as we mean to resist: Theatre games as political participation / Matthew Elliott -- Chapter 25 Communal living culture: From the many to the few, from the few to the many / Iván Nogales and Paloma Carpio -- Chapter 26 Latent conflict orlLatency in conflict: The liminal space between art actions and the Chilean civic-military dictatorship / Andrés Grumann Sölter and Francisco Gonzáles Castro -- Chapter 27 The community and its gaze: Argentine community theater / Edith Scher -- Chapter 28 Three community experiences and a resignation -- Rafael Murillo Selva -- Part V Southern Africa -- Introduction to Part V: Applied performance in Southern Africa / Alexandra Sutherland -- Chapter 29 Romio ndi Julieti (Romeo and Juliet): Chichewa language production of a serious drama / Amy Bonsall -- Chapter 30 Rituals (2010) as a counter narrative of healing and reconciliation in Zimbabwe / Kelvin Chikonzo and Ruth Makumbirofa -- Chapter 31 Dear Mr Government / Jessica Lejowa, Bongile Lecoge-Zulu and Cherae Halley -- Chapter 32 Applied performance as a space to address issues affecting girls and young women in Zimbabwe: A case study of Rachel 19 / Cletus Moyo and Nkululeko Sibanda -- Chapter 33 Applied arts in business contexts: Selling out to the oppressor or doing transformational work? -- Petro Janse van Vuuren -- Part VI Western Europe -- Introduction to Part VI: Care for the Open: intercultural challenges and transcultural potential of applied performances in Western Europe / Julius Heinicke -- Chapter 34 Realistic art and the creation of artistic truth / Rolf Bossart -- Chapter 35 Artistic creation and participation in Portugal and Brazil: The urgencies of today / Hugo Cruz -- Chapter 3: Core of Nordic applied theatre: Challenges in a subarctic area / Riike Gürgens Gjaerum -- Chapter 37 Youth transformation in search of freedom / Maria Kwiatek -- Chapter 38 Legami in spazi aperti (Bonds in Open Spaces) / Giulia Innocenti Malini -- Chapter 39 Exploring dramaturgy in participatory refugee theatre as a dialogical art practice: Dialogical tensions in a temporary relational playground / Sofie de Smet, Lucia De Haene, Cécile Rousseau, and Christel Stalpaert -- Chapter 40 The right artistic solution is just the beginning / Lene Thiesen. | |
| 588 | _aDescription based on online resource; title from digital title page (viewed on February 05, 2021). | ||
| 650 | 0 | _aPerforming arts | |
| 650 | 0 | _aTheater and society | |
| 650 | 7 | _aPerforming arts | |
| 650 | 7 | _aTheater and society | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 |
_aBreed, Ananda, _eeditor. _920351 |
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| 700 | 1 |
_aPrentki, Tim, _eeditor. _919630 |
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| 830 | 0 |
_aRoutledge theatre and performance companions. _920352 |
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| 856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2572099 |
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| 911 | _a9780367542634 | ||
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