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050 4 _aPN171.A33
_bR68 2020
082 0 4 _a809
_223
245 0 4 _aThe Routledge companion to adaptation /
_cedited by Dennis Cutchins, Katja Krebs, and Eckart Voigts.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2020.
264 4 _c©2018
300 _axvi, 406 pages :
_billustrations ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aRoutledge companions
500 _aFirst issued in paperback 2020.
500 _aFirst published 2018 by Routledge.
501 _aP.B
504 _aIncludes bibliographical references and index.
505 _tIntroduction to the Companion /
_rDennis Cutchins --
_tPart I, Mapping the field /
_rKatja Krebs --
_tPause, rewind, replay: adaptation, intertextuality and (re)defining adaptation studies /
_rSarah Cardwell --
_tThe theory of BADaptation /
_rKamilla Elliott --
_tAdaptation and the concept of the original /
_rRainer Emig --
_tAn evolutionary view of cultural adaptation: some considerations /
_rPatrick Cattrysse --
_tpart II, Historiography /
_rKatja Krebs --
_tTowards a historical turn?: adaptation studies and the challenges of history /
_rGregory Semenza --
_tNot just the facts: adaptation, illustration, and history /
_rThomas Leitch --
_tDialogism's radical texts, and the death of the radical vanguard critic /
_rRobert Geal --
_tAdaptations and the media /
_rKyle Meikle --
_tLiterary biopics: adaptation as historiographic metafiction /
_rElaine Indrusiak and Ana Iris Ramgrab --
_tNotoriously bad: early film-to-video game adaptations (1982-1994) /
_rRiccardo Fassone --
_tRosas: appropriation as afterlife /
_rJohan Callens --
_tAdaptations, culture-texts and the literary canon: on the making of nineteenth-century 'classics' /
_rLissette Lopez Szwydky --
_tpart III, Identity /
_rEckart Voigts --
_tQueer adaptation /
_rPamela Demory --
_tFidelity, medium specificity, (in)determinacy: identities that matter /
_rShannon Brownlee --
_tThe critic-as-adapter /
_rJosh Sabey and Keith Lawrence --
_tAdaptation's originality problem: "grappling with the thorny questions of what constitutes originality" /
_rGlenn Jellenik --
_tMigration, symbolic geography, and contrapuntal identities: when death comes to Pemberley /
_rCarol Poole and Ruxandra Trandafoiu --
_tAdapting identities: performing the self /
_rKatja Krebs --
_tAdaptations down under: reading national identity through the lens of adaptation studies /
_rClaire McCarthy --
_tAdaptation and the Australian film revival /
_rBrian McFarlane --
_tpart IV, Reception /
_rDennis Cutchins --
_tEmbodying change: adaptation, the senses, and media revolution /
_rAmanda Ruud --
_tGreat voices speak alike: Orson Welles's radio adaptation of Victor Hugo's Les Misérables /
_rBradley Stephens --
_tLux presents Hollywood: films on the radio during the 'golden age' of broadcasting /
_rSuzanne Speidel --
_tReconfiguring the Nordic Noir brand: Nordic Noir tv crime drama as remake /
_rYvonne Griggs --
_tTweeting from the grave: Shakespeare, adaptation, and social media /
_rAnna Blackwell --
_tAdaptation, fidelity and reception /
_rDennis Cutchins and Kathryn Meeks --
_tpart V, Technology /
_rEckart Voigts --
_tAdaptation from the temporal to the spatial: materialising Dickens's imaginings /
_rJoyce Goggin --
_tAn art of borrowing: the intermedial sources of adaptation /
_rAndré Gaudreault and Philippe Marion --
_tBlurring the lines: adaptation, transmediality, intermediality and screened performance /
_rBernadette Cochrane --
_tSidewalk stories: re-sounding silent film /
_rJulie Grossman --
_tAdaptation as a function of technology and its role in the definition of medium specificity /
_rMalcolm Cook and Max Sexton --
_tSound stories: audio drama and adaptation /
_rRichard J. Hand --
_tAdaptation and new media: establishing the video game as an adaptive medium /
_rDawn Stobbart --
_tMemes, GIFs, and remix culture: compact appropriation in everyday digital life /
_rEckart Voigts.
520 8 _aThe Routledge Companion to Adaptation offers a broad range of scholarship from this growing, interdisciplinary field. With a basis in source-oriented studies, such as novel-to-stage and stage-to-film adaptations, this volume also seeks to highlight the new and innovative aspects of adaptation studies, ranging from theatre and dance to radio, television and new media. It is divided into five sections: Mapping, which presents a variety of perspectives on the scope and development of adaptation studies; Historiography, which investigates the ways in which adaptation engages with - and disrupts - history; Identity, which considers texts and practices in adaptation as sites of multiple and fluid identity formations; Reception, which examines the role played by an audience, considering the unpredictable relationships between adaptations and those who experience them; Technology, which focuses on the effects of ongoing technological advances and shifts on specific adaptations, and on the wider field of adaptation. An emphasis on adaptation-as-practice establishes methods of investigation that move beyond a purely comparative case study model. The Routledge Companion to Adaptation celebrates the complexity and diversity of adaptation studies, mapping the field across genres and disciplines.routledge coma
650 0 _aFilm adaptations
_xHistory and criticism
_919970
650 0 _aLiterature
_xAdaptations
_xHistory and criticism
_91648
650 7 _aFilm adaptations
650 7 _aLiterature
650 7 _aLiterature
650 7 _aLiterature
_xAdaptations
_91655
655 7 _aCriticism, interpretation, etc.
700 1 _aCutchins, Dennis R.
_q(Dennis Ray),
_d1963-
_eeditor.
_919971
700 1 _aKrebs, Katja,
_eeditor.
_919972
700 1 _aVoigts-Virchow, Eckart,
_eeditor.
_919973
830 0 _aRoutledge companions.
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910 _aAE-Shpaa265
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999 _c1820
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