000 | 05877namna2200733 i 4500 | ||
---|---|---|---|
003 | AE-ShPAA | ||
005 | 20240917125830.0 | ||
008 | 200720s2021 enk ob 001 0 eng d | ||
020 |
_a100006980X _a0367464624 _q(electronic bk.) |
||
020 |
_a1000069893 _a0367464640 _q(electronic bk. ; _qMobipocket) |
||
020 |
_a1000069982 _a9780367464622 _q(electronic bk. ; _qEPUB) |
||
020 |
_a1003028888 _a9780367464646 _q(electronic bk.) |
||
020 |
_a9781000069808 _q(electronic bk.) |
||
020 |
_a9781000069891 _q(electronic bk. ; _qMobipocket) |
||
020 |
_a9781000069983 _q(electronic bk. ; _qEPUB) |
||
020 |
_a9781003028888 _q(electronic bk.) |
||
040 | _cAE-ShPAA | ||
040 |
_aAE-ShPAA _beng _epn _cAE-ShPAA _dTYFRS _dEBLCP _dUKAHL _dUAB _dTYFRS _dOCL _dOCLCQ _dOCLCO |
||
043 | _an-us--- | ||
050 | 4 |
_aPS350 _bM39 2021 |
|
082 | 0 | 4 |
_a812/.5093553 _223 |
100 | 1 |
_aMay, Theresa J., _eauthor. _914942 |
|
245 | 1 | 0 |
_aEarth matters on stage : _becology and environment in American theater / _cTheresa J. May. |
264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
|
300 |
_ax, 315 pages ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
501 | _aP.B | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aCover -- Half Title -- Title Page -- Copyright Page -- Dedication Page -- Contents -- Acknowledgments -- Preface: from ecotheater to ecodramaturgy -- Introduction: where has theater been while the world's been falling apart? -- 1 Stories that kill: Augustin Daly's Horizon and William F. Cody's Wild West: The Drama of Civilization -- 2 The Sabine wilderness and Progressive conservation: David Belasco's The Girl of the Golden West and William Vaughn Moody's The Great Divide | |
505 | 8 | _a3 Dynamos, dust, and discontent: Eugene O'Neal's Dynamo and the Federal Theatre Project's Living Newspapers Triple-A Plowed Under and Power -- 4 We know we belong to the land: Rogers and Hammerstein's Oklahoma! and Arthur Miller's Death of a Salesman -- 5 (Re)claiming home and homelands: Lorraine Hansberry's A Raisin in the Sun, Luis Valdez's Bernabé, and Sam Shepard's Buried Child -- 6 Stories in the land/legacies in the body: Robert Schenkkan's The Kentucky Cycle, CherrÃe Moraga's Heroes and Saints, and Anne Galjour's Alligator Tales | |
505 | 8 | _a7 Kinship, community, and climate change: Marie Clements's Burning Vision and Chantal Bilodeau's Sila -- Epilogue: theater as a site of civic generosity -- Index | |
520 | _aEarth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater's potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice - what the author calls ecodramaturgy - showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change. | ||
545 | 0 | _aTheresa J. May is the author of Salmon Is Everything: Community-based Theatre in the Klamath Watershed, the co-editor of Readings in Performance and Ecology, the co-author of Greening Up Our Houses, and the co-founder and artistic director of the EMOS Ecodrama Playwrights Festival. She is an associate professor of theater at the University of Oregon. | |
650 | 0 |
_aAmerican drama _y20th century _xHistory and criticism _914943 |
|
650 | 0 |
_aEcocriticism _914944 |
|
650 | 0 | _aEcology in literature | |
650 | 0 |
_aEnvironmental protection in literature _914945 |
|
650 | 0 |
_aNational characteristics, American, in literature _914946 |
|
650 | 0 |
_aNature in literature _914947 |
|
650 | 0 |
_aTheater and society _zUnited States _xHistory _y20th century _914948 |
|
650 | 7 | _aAmerican drama | |
650 | 7 |
_aART _xSubjects & Themes _xLandscapes _914949 |
|
650 | 7 |
_aART _xSubjects & Themes _xPlants & Animals _914950 |
|
650 | 7 |
_aEcocriticism _914951 |
|
650 | 7 | _aEcology in literature | |
650 | 7 |
_aEnvironmental protection in literature _914952 |
|
650 | 7 |
_aNational characteristics, American, in literature _914953 |
|
650 | 7 |
_aNature in literature _914954 |
|
650 | 7 |
_aNATURE _xEnvironmental Conservation & Protection _914955 |
|
650 | 7 | _aTheater and society | |
651 | 7 | _aUnited States. | |
655 | 4 | _aElectronic books. | |
655 | 7 | _aCriticism, interpretation, etc. | |
655 | 7 | _aHistory. | |
776 | 0 | 8 |
_iPrint version: _z9780367464646 _z0367464640 _w(DLC) 2020002880 _w(OCoLC)1137839233 |
856 | 4 | 0 |
_3ProQuest Ebook Central _uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=6264210 |
856 | 4 | 0 |
_uhttps://sharjahperforming-my.sharepoint.com/:u:/g/personal/ahmedabdelhalim_spaa_ae/EUZE859agmBIqEi_fhq61fsBj0J8VVMaEC75G-j3XUqPRQ?e=PR2Mgu _zFull-Text |
910 | _aAE-Shpaa264 | ||
911 | _a0367464624 | ||
942 |
_cBK _2lcc |
||
999 |
_c1819 _d1819 |
||
999 | _d1819 |