000 01535namna2200337 a 4500
008 120127s2013 enka b 001 0 eng
020 _a0203816218 (ebook)
020 _a0415454344 (hardback : alk. paper)
020 _a0415454352 (pbk. : alk. paper)
020 _a9780203816219 (ebook)
020 _a9780415454346 (hardback : alk. paper)
020 _a9780415454353 (pbk. : alk. paper)
040 _cAE-ShPAA
040 _aAE-ShPAA
_cAE-ShPAA
_dDLC
042 _apcc
043 _an-us-ny
050 _aPS3556.O7344
_bZ68 2013
082 _a812/.54
_223
100 1 _aCummings, Scott T.,
_d1953-
_919849
245 1 0 _aMaria Irene Fornes /
_cScott T. Cummings.
260 _aAbingdon, Oxon ;
_aNew York :
_bRoutledge,
_c2013.
300 _axxiv, 205 p. :
_bill. ;
_c21 cm.
490 0 _aRoutledge modern and contemporary dramatists
501 _aP.B
504 _aIncludes bibliographical references (p. [194]-202) and index.
505 0 _aOverview -- The 1960s. Getting started -- Off-off Broadway: the good scene -- Key play: Promenade (the apotheosis of Judson) -- The 1970s. Finding a way -- Key play: Fefu and her friends (turning over the stone) -- The 1980s. Found -- The PAJ plays -- Key play: Abingdon Square (conquering the vagueness) -- The 1990s. The night plays -- Coming to an end.
600 1 0 _aFornes, Maria Irene
_xCriticism and interpretation.
_919850
650 0 _aTheater
_xProduction and direction
_zNew York (State)
_zNew York
_xHistory
_y20th century
_919851
910 _aAE-Shpaa232
942 _cBK
999 _c1792
_d1792