000			01779namna22003377i 4500
008			210621s2018 enk 000 d eng d
020			_a1786826623
020			_a9781786826626
040			_cAE-ShPAA
040			_aAE-ShPAA _beng _cAE-ShPAA _erda _dBDX _dCDX _dOCLCQ _dOCLCF _dCOO _dPUL _dOCLCO _dTXI _dOCL _dDLC
042			_alccopycat
050			_aPR6102.R42 _bI77 2018
082	0	4	_a822/.92 _223
110	2		_aBreach _c(Multimedia performance company) _eauthor. _919832
245	1	0	_aIt's true, it's true, it's true / _cBreach.
264		1	_aLondon : _bOberon Books Ltd, _c2018.
300			_a55 pages ; _c20 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aOberon Modern Plays
501			_aP.B
520			_a"And there's blood pouring out of this man's throat. Because these two women are beheading him - did I not mention that?" Fringe First and Total Theatre Award- winning Breach (Tank, The Beanfield) restage the 1612 trial of Agostino Tassi for the rape of baroque painter Artemisia Gentileschi. Based on surviving court transcripts, this new play dramatises the seven-month trial that gripped Renaissance Rome, and asks how much has changed in the last four centuries. Blending myth, history and contemporary commentary, this is the story of how a woman took revenge through her art to become one of the most successful painters of her generation.
600	1	0	_aGentileschi, Artemisia, _d1593-1652 or 1653 _vDrama. _919833
600	1	0	_aTassi, Agostino, _dapproximately 1579-1644 _xTrials, litigation, etc. _vDrama. _919834
650		0	_aTrials (Rape) _vDrama _919835
650		0	_aWomen painters _vDrama _919836
830		0	_aOberon modern plays.
910			_aAE-Shpaa226
942			_cPL
999			_c1787 _d1787