000 02857namna22003738i 4500
008 191217s2020 nyu 000 0 eng
020 _a9780367820091
_a9781000766257
_q(hardback)
020 _a9781000766417
_q(adobe pdf)
020 _a9781000766578
_q(mobi)
020 _a9781003011408
_q(epub)
020 _q(ebook)
040 _cAE-ShPAA
040 _aAE-ShPAA
_beng
_erda
_cAE-ShPAA
042 _apcc
050 _aPQ6613.A763
_bZ8149 2020
082 _a862/.62
_223
100 1 _aPérez-Simón, Andrés
_eauthor.
_919762
245 1 0 _aBaroque Lorca :
_ban archaist playwright for the new stage /
_cAndr?es P?erez-Sim?on.
263 _a2002
264 1 _aNew York, NY :
_bRoutledge,
_c2020.
300 _a158 pages ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
501 _aP.B
505 0 _aIntroduction -- The Question of Allegory -- Of Humans and Puppets -- Facing the Audience -- Revolution in the Playhouse -- Writing for the Stage -- Epilogue.
520 _a"Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two 'human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of 'impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of 'rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba)"--
_cProvided by publisher.
600 1 0 _aGarc?ia Lorca, Federico,
_d1898-1936
_xCriticism and interpretation.
_919763
650 0 _aBaroque literature
_xInfluence
_919764
776 0 8 _iOnline version:
_aP?erez-Sim?on, Andr?es.
_tBaroque Lorca
_dNew York, NY : Routledge, 2020
_z9781003011408
_w(DLC) 2019055672
910 _aAE-Shpaa205
911 _a9781000766257
942 _cBK
999 _c1769
_d1769