000			02078namna22003495i 4500
008			201005s2020 nyu 000 0 eng
020			_a9780367635497 _a9781003119623 _q(paperback)
020			_a9780367635510 _q(hardback)
020			_q(ebook)
040			_cAE-ShPAA
040			_aAE-ShPAA _beng _erda _cAE-ShPAA
042			_apcc
050		4	_aPR3069.D67 _bW55 2020
100	1		_aWilliams, Meg Harris, _eauthor. _919748
245	1	0	_aDream sequences in Shakespeare : _ba psychoanalytic perspective / _cMeg Harris Williams.
250			_a1.
263			_a2011
264		1	_aNew York : _bRoutledge, _c2020.
300			_a173 pages ; _c 24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
501			_aP.B
520			_a"This book takes a new approach to Shakespeare's plays, exploring them as dream-thought in the modern psychoanalytic sense of unconscious thinking. Through his commitment to poetic language, Shakespeare offers images and dramatic sequences that illustrate fundamental developmental conflicts whose solutions are not preconceived but evolve through the process of dramatization. In this volume, Meg Harris Williams explores the fundamental distinction between the surface meanings of plot or argument and the deep grammar of dreamlife, applied not only to those plays known as 'dream-plays,' but also to critical sequences throughout Shakespeare's oeuvre. Through a post-Kleinian model based on the thinking of Bion, Meltzer and Money-Kyrle, this book sheds new light on both Shakespeare's own relation to the play and on the identificatory processes of the playwright, reader or audience. Dream Sequences in Shakespeare is important reading for psychoanalysts, playwrights and students"-- _cProvided by publisher.
600		4	_aShakespeare, William, _d1564-1616
650		4	_aConsciousness in literature _919749
650		4	_aDreams in literature _919750
650		4	_aPsychoanalysis and literature _919751
910			_aAE-Shpaa202
911			_a9781003119623
942			_cBK
999			_c1766 _d1766