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Staging voice / Michal Grover-Friedlander.

By: Material type: TextTextSeries: Routledge voice studiesPublisher: Abingdon, Oxon ; New York : Routledge, 2021Edition: [1.]Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781032034270
  • 9781032034287
Subject(s): Additional physical formats: Online version:: Staging voiceDDC classification:
  • 782.1 23
LOC classification:
  • ML1700 .G8406 2021
Contents:
Staging A Vulnerable Voice : Weill and Brecht's Der Jasager (1930) -- Binding the Voice : Ficarra and Whittington's The Empress's Feet (1995) -- Staging Thought in Satie's Socrate (1919)
Summary: "Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th century artists--Erik Satie, Bertolt Brecht and Kurt Weill--as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author's staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies"-- Provided by publisher.
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Holdings
Item type Current library Call number Status Barcode
Books Books SPAA Library General Collection ML1700 .G8406 2021 (Browse shelf(Opens below)) Available 0007961

P.B

Includes bibliographical references and index.

Staging A Vulnerable Voice : Weill and Brecht's Der Jasager (1930) -- Binding the Voice : Ficarra and Whittington's The Empress's Feet (1995) -- Staging Thought in Satie's Socrate (1919)

"Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th century artists--Erik Satie, Bertolt Brecht and Kurt Weill--as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author's staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies"-- Provided by publisher.

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