P.B

Machine generated contents note: from 3 Sisters on Hope Street -- from 55 Days / Tracy Ann Oberman / Diane Samuels -- from About A Goth / Howard Brenton -- from Angels / Tom Wells -- from Apologia / Ronan O'Donnell -- from Before It Rains / Alexi Kaye Campbell -- from Boys / Katherine Chandler -- from Bully Boy / Ella Hickson -- from Chatroom / Sandi Toksvig -- from Cressida / Enda Walsh -- from Days of Wine and Roses / Nicholas Wright -- from Delirium / Owen McCafferty -- from Eight / Enda Walsh -- from First Person Shooter / Ella Hickson -- from Gilt / Paul Jenkins -- from God's Property / Stephen Greenhorn / Isabel Wright / Rona Munro -- from Holes in the Skin / Arinze Kene -- from Invisible / Robert Holman -- from Japes / Tena [Š]tivcic -- from Jerusalem / Simon Gray -- from Jonah and Otto / Jez Butterworth -- from Ladies Down Under / Robert Holman -- from Lagan / Amanda Whittington -- from Little Baby Jesus / Stacey Gregg -- from Love and Information / Arinze Kene -- from Misterman / Caryl Churchill -- from Mogadishu / Enda Walsh -- from Mother Teresa is Dead / Vivienne Franzmann -- from Mustafa / Helen Edmundson -- from Mydidae / Laylah Ahmed -- from NSFW / Jack Thorne -- from The Pain and the Itch / Lucy Kirkwood -- from The People Next Door / Bruce Norris -- from Peribanez / Henry Adam -- from Pieces / Lope de Vega -- from Playing the Victim / Hywel John / The Presnyakov Brothers -- from Port Authority / Hywel John -- from Precious Little Talent / Conor McPherson -- from The Pride / Ella Hickson -- from Purgatorio / Alexi Kaye Campbell -- from Purple Heart / Ariel Dorfman -- from Push Up / Bruce Norris -- from The River / Roland Schimmelpfennig -- from Snuff / Jez Butterworth -- from Stoopud Fucken Animals / Davey Anderson -- from Terminus / Joel Horwood -- from Vernon God Little / Mark O'Rowe -- from Voices from the Mosque / DBC Pierre -- from What We Know / Alecky Blythe.

50 monologues from some of the greatest writers working today, each prefaced with a summary of the vital information you need to place the piece in context and perform it to the best of your ability.