Orientalist lives : western artists in the Middle East, 1830-1920 / James Parry.
Material type:
- text
- still image
- unmediated
- volume
- 9789774168352
- 9774168356
- Orientalism in art
- Art, European -- 19th century
- Art, European -- 20th century
- Orientalisme dans l'art
- Art européen -- 19e siècle
- ART -- European
- Art, European
- Orientalism in art
- Amerikaner
- Europäer
- Künstler
- Malerei
- Naher Osten Motiv
- Orientalismus Kunst
- Reise
- Reisebild
- Rezeption
- Orientalism in art
- Exoticism in art
- Art, European -- 19th century
- Art, European -- 20th century
- Painting, Modern -- 19th century
- Painting, European -- 19th century
- 1800-1999
- Europa
- Naher Osten
- Orient
- Westliche Welt
- Middle East -- In art
- Africa, North -- In art
- 704.9/4995 23
- N8217.E88 P37 2018
Item type | Current library | Call number | Status | Barcode | |
---|---|---|---|---|---|
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SPAA Library General Collection | N8217.E88 P37 2018 (Browse shelf(Opens below)) | Available | 0007535 |
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Includes bibliographical references and index (pages 277-294).
In one of the most remarkable artistic pilgrimages in history, the nineteenth century saw scores of Western artists heading to the Middle East. Inspired by the allure of the exotic Orient, they went in search of subjects for their paintings. Orientalist Lives looks at what led this surprisingly diverse and idiosyncratic group of men-and some women-to often remote and potentially dangerous locations, from Morocco to Egypt, the Levant, and Turkey. There they lived, worked, and traveled for weeks or months on end, gathering material with which to create art for their clients back in the drawing-rooms of Boston, London, and Paris. Based on his research in museums, libraries, archives, galleries, and private collections across the world, James Parry traces these journeys of cultural and artistic discovery. From the early pioneer David Roberts through the heyday of leading stars such as Jean-Leon Gerome and Frederick Arthur Bridgman, to Orientalism's post-1900 decline, he describes how these traveling artists prepared for their expeditions, coped with working in unfamiliar and challenging surroundings, engaged with local people, and then took home to their studios the memories, sketches, and collections of artifacts necessary to create the works for which their audiences clamored. Excerpts from letters and diaries, including little-known accounts and previously unpublished material, as well as photographs, sketches, and other original illustrations, bring alive the impressions, experiences, and careers of the Orientalists and shed light on how they created what are now once again recognized as masterpieces of art.
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